Autor: Karim

Johanna Odersky im Interview mit Juliane Duft

        Pictures by Neven Allgeier Johanna Odersky arbeitet als bildende Künstlerin in Skulptur, produziert unter dem Namen Iku aber auch sphärische Musik.  In ihren Arbeiten geht es um physische, ideelle, wie soziale Räume, Grenzen zwischen Innen und Außen – von Architekturen und Körpern. Juliane…

The Real Star of Art-O-Rama

A review by Chloe Stead Stretching from St Tropez to the Italian border, the French Riviera has long been known as the playground of the rich and glamorous. F. Scott Fitzgerald – renowned for his obsession with how “the other half” lives – was staying…

Losing my Virginity @ Robert Grunenberg Berlin

Stefan Knauf, Paul Levack, Jan Zöller and Die Römischen Votzen: Giulietta Ockenfuß and Sonja Yakovleva. Losing My Virginity features five distinct positions by artists transforming into their latest iteration. Graduating, among other things, means growing from the position of a disciple into a teacher of…

The Sunday Post: Lito Kattou & Penny Rafferty, Part III

In this series of epistolary exchanges, artist Lito Kattou and writer Penny Rafferty share with each other – and consequently, the reader – thoughts on sacrifice; bringing form to life; and a classic of 1980s Japanese cinema.   IP ADDRESS 37.120.36.213 L, It’s taken me…

The Sunday Post: Lito Kattou & Penny Rafferty, Part II

In this series of epistolary exchanges, artist Lito Kattou and writer Penny Rafferty share with each other – and consequently, the reader – thoughts on thin skies; Frankenstein; the Other; and ancient deities.   IP ADDRESS 83.35.178.124. Dear L, You speak of cardinal materiality, with…

The Sunday Post: Lito Kattou & Penny Rafferty, Part I

In this series of epistolary exchanges, artist Lito Kattou and writer Penny Rafferty share with each other – and consequently, the reader – thoughts on interfaces; organisms both physical and digital; the vastness of emotion; and art. IP ADDRESS 83.35.178.124. Dear Lito,     My…

Review: Olaf Nicolai @ Kunsthalle Bielefeld

Eine Hommage ist eine Hommage ist eine Hommage…. Mit gleich drei parallel laufenden Einzelausstellungen in Bielefeld, St. Gallen und Wien ist der aus Halle stammende Künstler Olaf Nicolai gerade vertreten. Jede der drei Ausstellungen verfügt über eine eigene kuratorische und künstlerische Schwerpunktsetzung. In der Ausstellung „Chant…

Review: Open Source Festival 2018

Einmal wie Juergen Teller sein, denke ich mir, und spaziere vom Festivalgelände auf der Galopprennbahn hinüber in den Wildpark. Dort gibt es Wildschweine. Teller hat einst eine Wildschweinmutter fotografiert, und da ich in naher Zukunft wohl weder Charlotte Rampling, noch Vivienne Westwood und noch weniger…

Basel Blörb #5 / 18 by Karim Crippa

The Art Basel weeks always comes with its share of surprises, disappointments and incredulousness. First and foremost, I was most disappointed in myself: I didn’t manage to submit a text every day like in 2017. Why? I blame my body for it, which, like a…

Basel Blörb #4 / 18 by Karim Crippa

I am conflicted whether yesterday is a day to remember or to forget. It started, in a classical Basel way, with a visit to the Fondation Beyeler. The current show there combines the tortuous psychograms of Francis Bacon with the emaciated figures of Alberto Giacometti:…

Basel Blörb #3 / 18 by Karim Crippa

The world’s boring navy suit industry is entirely financed by art world professionals, I thought as I observed the crowds at Art Basel’s VIP breakfast.  Here, if you’re male and not wearing that specific uniform, you’ll be labeled either tasteless, insane, poor, or all of…

Basel Blörb #2 / 18 by Karim Crippa

  I started my week-long hike on the Basel trail under the guidance of alcohol and my friend Barbara Rüdiger, a woman who can pull off head-to-toe Pleats Please and knows everything about everyone, which never ceases to baffle me. Ten minutes after arriving at…

Basel Blörb #1 / 18 by Karim Crippa

No excitement compares to pre Art Basel excitement. From an objective point of view, this joyful giddiness makes no sense, because the world’s premier fair and all it entails is tailored for a person I’m not. Art Basel’s ideal visitor is Natasha, the second wife…