Autor: KubaParis

Eliza Douglas – Old Tissues Filled with Tears

Der Schinkel Pavillon freut sich in der Schinkel Klause die erste Einzelausstellung von Eliza Douglas in Berlin zu präsentieren. Die in den USA geborene Künstlerin ist Absolventin des Bard College, New York und der Städelschule in Frankfurt, wo sie gegenwärtig auch arbeitet und lebt. „Old…

Oliver Laric – Panoramafreiheit

Mit „Panoramafreiheit“ eröffnet der Schinkel Pavillon am 1. Dezember 2017 die erste institutionelle Einzelausstellung des in Österreich geborenen Künstlers Oliver Laric in Berlin. In seiner Arbeit verbindet und überträgt Laric Qualitäten aus dem digitalen Bereich wie einfache Reproduzierbarkeit, unendliche Wandelbarkeit und schnelle Verbreitung mit scheinbarer…

Sophie Reinhold @ Sophie Tappeiner

Are you prepared to do wonderful things in this world? Choose love and don’t ever let fear turn against your playful heart. I haven’t always been a rabbit. I was waiting for a sign. And it came: 30 dolphins upon the horizon in Malibu But…

Holly​ ​White – Orange​ ​World

We​ ​could​ ​see​ ​the​ ​orange​ ​dome​ ​in​ ​the​ ​near​ ​distance,​ ​smaller​ ​than​ ​its​ ​name​ ​suggested;​ ​newspaper painted​ ​with​ ​the​ ​words​ ​“still​ ​open”​ ​was​ ​taped​ ​on​ ​a​ ​burnt-out​ ​car,​ ​painted​ ​orange,​ ​sitting​ ​out​ ​front. On​ ​the​ ​bike​ ​trailer​ ​we​ ​had​ ​a​ ​crate​ ​of​ ​dusty,​ ​but​ ​still​…

Dorf

In den besonders mondän gesinnten Ballungsräumen gilt es als angesagt, sich gelegentlich den Großstadtsmog aus den Augen zu wischen und einen verklärten Blick über Landidylle schweifen zu lassen. Das counter-movement zur Landflucht als Lifestyle-Akt, Wohnräume in lückenloser Manufactum-Möblierung, weichgezeichnete, Dorf-duftende „Schöner Wohnen“-Spreads – alles Anzeichen…

Madame Curated by Ernst Yohji Jäger and Hong Zeiss

Artists: Andrea Friesacher, Ernst Yohji Jäger, Florma (Flora Lechner and Norma Kiskan), FM (Fukunaga Daisuke and Soshiro Matsubara), Hong Zeiss, Jakub Vrba, Johanna Binder, Katharina Höglinger, Lena Sieder Semlitsch, Maximilian Anelli-Monti, Moritz Pisk, Soshiro Matsubara Curated by Ernst Yohji Jäger and Hong Zeiss Justice, 1010 Vienna Photos by Manuel Carreon…

Sebastian Burger @GRAND TOUR Studio

Sebastian Burger ‚A song from under the floorboards‘ Curated by Domenico de Chirico GRAND TOUR Studio, Milan, Italy 14.11 – 05.12.2017 Supported by Galerie Tobias Naehring, Leipzig, Germany http://grandtourstudio.com/ 
http://tobiasnaehring.de/ 
http://sebastianburger.de/

 The exhibition comprises ten paintings and a catalogue in collaboration with Rawraw Edizioni.
http://rawraw.it/

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Sebastian Burger’s…

Zuzanna Czebatul – TRIP CITY curated by Anka Herbut

People need fiction. Only through faith in shared fictions could societies, religions and nations emerge. Systems founded on looking jointly and severally in the same direction. Offering the majority relief in identifying with a greater cause. And the minority – a sense of exclusion. That’s…

LYOUDMILA MILANOVA & STEFFI LINDNER “AGENS” @Fuhrwerkswage

Atmosphärische Substanzen wie Wolken und Nebel lassen sich weder zähmen noch formen. Sie vereinen Chaos und Ordnung und gehorchen dabei scheinbar einem eigenen inneren Antriebsprinzip. Dank ihrer Eigenwilligkeit und Unberechenbarkeit organisieren sie sich in unzähligen Formationen und erzeugen dadurch eine visuell fluide Welt. Gleichzeitig erscheinen sie in…

21er Haus, Vienna BC21 ART AWARD 2017

In March 2017, artists Judith Fegerl (born 1977), Anja Ronacher (born 1979), Toni Schmale (born 1980), and Anne Speier (born 1977), all living and working in Vienna, were nominated for this year’s BC21 BostonConsulting & BelvedereContemporary Art Award. ‘It’s my great pleasure to be able…

Matti Gajek x Paul Barsch x Tilman Hornig.

In a surrounding white void, we encounter four sanitary ceramic sculptures that seem to have been infested by several snakes. The interactive 360° format allows to direct the gaze into all directions by manipulating the perspective of the basic circular motion. In this space Gajek´s…

Two 4 One curated by Romuald Demidenko

You wanted to become a creative leader with a strong vision. Think of people who create exceptional things at a strategic and creative level. The same goes for these, who constantly change all the rules in the market. They are visionaries, but are very involved…

DOROTA GAWĘDA & EGLĖ KULBOKAITĖ

DOROTA GAWĘDA & EGLĖ KULBOKAITĖ, YGRG 14X: reading with a single hand, 2017, performance at the Baltic Triennial 13- Prelude,  Contemporary Art Center in Vilnius, curated by: Vincent Honoré with Neringa Bumblienė and Cédric Fauq. The performative installation by Dorota Gaweda and Eglė Kulbokaitė investigates…

SCAMMING – Palazzo​ ​Lancia,​ ​Turin

The exhibition ​Scamming​, taking place at the Palazzo Lancia in Turin, unfolds the nature of contemporary myths and imagines their possible contaminations and détournements through subversive acts of theft and strategic scamming. ​Scamming proposes deception and fraud as productive artistic tools that have the possibility…

KubaParis recommendation „HEAVEN“

This Thursday @kwinstitutefconteporaryart at #bobspogobar „HEAVEN“ ♥️ by #lauracatania & #isabellafürnkäs w/ @polalight @maisonmerveille @lexi_johnson90 @yokotsuno_x_norahansen @marylakeworld @sullsian #katharinasieverding curated by @maurindietrich & @cat8rin #kwinstituteforcontemporaryart 9-12 h 16.11.2017 KW – Institue for Contemporary Art, Berlin HEAVEN w/ Isabella Fürnkäs and Laura Catania at Bob’s Pogo Bar…

SCAMMING @ Palazzo​ ​Lancia,​ ​Turin

The exhibition ​Scamming​, taking place at the Palazzo Lancia in Turin, unfolds the nature of contemporary myths and imagines their possible contaminations and détournements through subversive acts of theft and strategic scamming. ​Scamming proposes deception and fraud as productive artistic tools that have the possibility…

KAROLINE DAUSIEN – HANAU

The curtain goes up. This is Hanau. Hanau is a Wunderkammer. No, Hanau is a metal dollhouse. Hanau is deep woods in red light. Hanau is darkness spoken. Hanau is maternal genealogy. Holding beautiful grandmother in our hands. Holding beautiful daughter in our hands. Hanau…

The Community : Offline – MILKY WAY

The Greeks gave us Kronos (unoriginary) and sequential (originary) time. Felicia Atkinson Giovanna Flores Elina Laitinen Cécile Noguès Adéla Souckova Sophia Taillet We use them, unable to perceive them … What comes before what originary comes after? To my surprise the answer is: a land…

Lisa Tiemann – alongside outside

The title of the exhibition alongside outside can be translated to the German in the literal sense of “entlang des Äußeren” and also as a description of Lisa Tiemann’s artistic practice. A form’s detours and borders carry with them the question of whether the contours…

ANGELIKA LODERER – Quiet Fonts

Writing about my friend Angelika Loderer’s work, I began digging for one photo that immediately came to mind, one that would anchor my story in a context critical to each of our creative processes, though particularly to hers. It was from 2006 and showed us,…

Minopolis (Die Stadt der Kinder)

»Ruinen leben länger, denn sie implizieren den Verzicht auf Intigrität. Das überhaupt ist Merkmal alles Lebendigen: Intigritätsverzicht, die Bereitschaft, wie die Kapazität, sich über sich hinaus auszudehnen, sich in sich zu verkrichen, die eigenen Grenzen verletzen, sie zu redefenieren.« (Marcus Steinweg, Die kritische Stadt, 2017)…

Das Duell – Okka-Esther Hungerbühler

In Mary Shelley’s 19th century novel Frankenstein, a man tries to play God (or a woman) and creates his own child. It’s a story about the dangers in subverting nature and the wrath of the unloved child (Frankenstein’s monster) and his unloving parent (Viktor Frankenstein,…

Alona Rodeh – The Runner (Live)

Sculpture, video, photography, sound and light, performance, installation, stage design, music and dance productions – the artistic forms of expression of Alona Rodeh (b. 1979 in Israel, lives and works in Tel Aviv and Berlin) reflect the current, open field of discourse in the fine…

Drifting in digital purgatory with Omsk Social Club

In​ ​her​ ​latest​ ​exhibition​ ​‘Traction​ ​Flesh-Hold’​ ​at​ ​Exgirlfriend,​ ​post-human​ ​Omsk Social​ ​Club​ ​(alter-ego​ ​of​ ​Penny​ ​Rafferty)​ ​shifts​ ​a​ ​gallery​ ​space​ ​seamlessly​ ​from white​ ​cube​ ​to​ ​stage​ ​to​ ​ego-death-platform​ ​and​ ​back​ ​again. Unlike​ ​the​ ​previous​ ​work​ ​I​ ​have​ ​seen​ ​of​ ​Omsk​ ​Social​ ​Club,​ ​there​ ​are​ ​no​…

Justyna Wierzchowiecka at Komplot, Brussels

On the occasion of her solo exhibition, Justyna Wierzchowiecka converted partially her apartment into an atelier to make her own interpretation of bas-relief by Jef Lambeaux featuring a scene of ‘Human Passions’ produced between 1886 and 1898, now on display in a classicist tempietto pavilion…