Autor: KubaParis

DOROTA GAWĘDA & EGLĖ KULBOKAITĖ

DOROTA GAWĘDA & EGLĖ KULBOKAITĖ, YGRG 14X: reading with a single hand, 2017, performance at the Baltic Triennial 13- Prelude,  Contemporary Art Center in Vilnius, curated by: Vincent Honoré with Neringa Bumblienė and Cédric Fauq. The performative installation by Dorota Gaweda and Eglė Kulbokaitė investigates…

SCAMMING – Palazzo​ ​Lancia,​ ​Turin

The exhibition ​Scamming​, taking place at the Palazzo Lancia in Turin, unfolds the nature of contemporary myths and imagines their possible contaminations and détournements through subversive acts of theft and strategic scamming. ​Scamming proposes deception and fraud as productive artistic tools that have the possibility…

KubaParis recommendation „HEAVEN“

This Thursday @kwinstitutefconteporaryart at #bobspogobar „HEAVEN“ ♥️ by #lauracatania & #isabellafürnkäs w/ @polalight @maisonmerveille @lexi_johnson90 @yokotsuno_x_norahansen @marylakeworld @sullsian #katharinasieverding curated by @maurindietrich & @cat8rin #kwinstituteforcontemporaryart 9-12 h 16.11.2017 KW – Institue for Contemporary Art, Berlin HEAVEN w/ Isabella Fürnkäs and Laura Catania at Bob’s Pogo Bar…

SCAMMING @ Palazzo​ ​Lancia,​ ​Turin

The exhibition ​Scamming​, taking place at the Palazzo Lancia in Turin, unfolds the nature of contemporary myths and imagines their possible contaminations and détournements through subversive acts of theft and strategic scamming. ​Scamming proposes deception and fraud as productive artistic tools that have the possibility…

KAROLINE DAUSIEN – HANAU

The curtain goes up. This is Hanau. Hanau is a Wunderkammer. No, Hanau is a metal dollhouse. Hanau is deep woods in red light. Hanau is darkness spoken. Hanau is maternal genealogy. Holding beautiful grandmother in our hands. Holding beautiful daughter in our hands. Hanau…

The Community : Offline – MILKY WAY

The Greeks gave us Kronos (unoriginary) and sequential (originary) time. Felicia Atkinson Giovanna Flores Elina Laitinen Cécile Noguès Adéla Souckova Sophia Taillet We use them, unable to perceive them … What comes before what originary comes after? To my surprise the answer is: a land…

Lisa Tiemann – alongside outside

The title of the exhibition alongside outside can be translated to the German in the literal sense of “entlang des Äußeren” and also as a description of Lisa Tiemann’s artistic practice. A form’s detours and borders carry with them the question of whether the contours…

ANGELIKA LODERER – Quiet Fonts

Writing about my friend Angelika Loderer’s work, I began digging for one photo that immediately came to mind, one that would anchor my story in a context critical to each of our creative processes, though particularly to hers. It was from 2006 and showed us,…

Minopolis (Die Stadt der Kinder)

»Ruinen leben länger, denn sie implizieren den Verzicht auf Intigrität. Das überhaupt ist Merkmal alles Lebendigen: Intigritätsverzicht, die Bereitschaft, wie die Kapazität, sich über sich hinaus auszudehnen, sich in sich zu verkrichen, die eigenen Grenzen verletzen, sie zu redefenieren.« (Marcus Steinweg, Die kritische Stadt, 2017)…

Das Duell – Okka-Esther Hungerbühler

In Mary Shelley’s 19th century novel Frankenstein, a man tries to play God (or a woman) and creates his own child. It’s a story about the dangers in subverting nature and the wrath of the unloved child (Frankenstein’s monster) and his unloving parent (Viktor Frankenstein,…

Alona Rodeh – The Runner (Live)

Sculpture, video, photography, sound and light, performance, installation, stage design, music and dance productions – the artistic forms of expression of Alona Rodeh (b. 1979 in Israel, lives and works in Tel Aviv and Berlin) reflect the current, open field of discourse in the fine…

Drifting in digital purgatory with Omsk Social Club

In​ ​her​ ​latest​ ​exhibition​ ​‘Traction​ ​Flesh-Hold’​ ​at​ ​Exgirlfriend,​ ​post-human​ ​Omsk Social​ ​Club​ ​(alter-ego​ ​of​ ​Penny​ ​Rafferty)​ ​shifts​ ​a​ ​gallery​ ​space​ ​seamlessly​ ​from white​ ​cube​ ​to​ ​stage​ ​to​ ​ego-death-platform​ ​and​ ​back​ ​again. Unlike​ ​the​ ​previous​ ​work​ ​I​ ​have​ ​seen​ ​of​ ​Omsk​ ​Social​ ​Club,​ ​there​ ​are​ ​no​…

Justyna Wierzchowiecka at Komplot, Brussels

On the occasion of her solo exhibition, Justyna Wierzchowiecka converted partially her apartment into an atelier to make her own interpretation of bas-relief by Jef Lambeaux featuring a scene of ‘Human Passions’ produced between 1886 and 1898, now on display in a classicist tempietto pavilion…

Marian Luft at BSMNT

no no difficult decisions run run ruin thi‘ is free free free free the e–nergy toooo ́ the irony, huh? my freedom to enjoy oh oh its fucking distusting (damn damn) oh i am free right here oh one two three oh so free here…

Emir Šehanović @ Laufer || Eugster

Since his first solo exhibition in Belgrade (Subuhum Kudusum Veruhum at the U10 gallery in 2013), Emir Šehanović has taken a diligent and well thought-out approach to his work in the field of fine art. Naturally transitioning and moving between mediums and motives he is…

Max Frisinger, Felix Oehmann at Galerie Gisela Clement

Die Galerie Gisela Clement freut sich, neue Arbeiten von Max Frisinger und Felix Oehmann zu präsentieren. Die Bildhauer Max Frisinger, geboren 1980 in Bremen, Felix Oehmann, geboren 1985 in Heidelberg, leben und arbeiten in Berlin. Aus der morbiden Masse von Sperrmüll, Schrott oder gebrauchtem Baustellenmaterial…

Jonny Niesche – ‘Cracked actor’

Peter von Kant is very pleased to announce ‘Cracked actor,’ the first UK solo show by Australian artist Jonny Niesche. ‘Cracked Actor’ is a musical piece written by David Bowie, the fifth track of the 1973 ‘Aladdin Sane’ album, written and composed in 1972 –…

Places and hearts – #9 Damien and the love guru, Brussels

Damien and the love guru is a Brussels-based curatorial field of experimentation in contemporary art with an anthropological twist. It is currently functioning as an art space staging compelling and non-conventional exhibitions by emerging artists. Our mission is to activate immersions in and critical approaches…

CORE​ ​REMISSION

anon:​ ​abstraction​ ​is​ ​an​ ​objective​ ​for​ ​life​ ​patterning anon:​ ​production​ ​is​ ​what​ ​oils​ ​the​ ​gesture​ ​of​ ​the​ ​social anon:​ ​YOLO​ ​<3 *** Abstraction​ ​as​ ​a​ ​hyper​ ​material​ ​enables​ ​a​ ​meta​ ​existence​ ​of​ ​motion,​ ​CORE​ ​REMISSION​ ​will unpack​ ​this​ ​notion​ ​through​ ​the​ ​mediums​ ​of​ ​painting​ ​and​…

apposite at Kosmetiksalon Babette

Karl-Marx-Allee 36, 10178 Berlin with: Katie Armstrong, Olivia Bax, Harm van den Dorpel, Ella Goerner, Miriam Jonas, Alex Lebus, Sarah Rosengarten, Manuel Roßner, Cosima Tribukeit, Andrea Winkler, Michaela Zimmer Going to an amusement park as much as not going requires several steps, levels and preconditions…

Outplaying the Theory

On June 2, 2017, artist OMSK Social Club organized a larp – Live Action Role Play – as the main element of her exhibition “Deep Intimacy” at Gold + Beton in Cologne, Germany. OMSK Social Club is an artist, writer and theorist based in Berlin.…

#magazinelove #02 – THIS IS BADLAND Magazine

THIS IS BADLAND is a new biannual magazine based out of Berlin that takes its Balkan roots as a starting point to mine cross-cultural connections and initiate new dialogues. Driven by a desire to veer away from any homogenous understanding of reality the magazine celebrates…

Kunstverein St. Pauli – Parkplatztreffen 3

by Anna Sabrina Schmiid (transl. by Maxi Lengger) 14th floor, the top. Best view. Panorama. In a matter of seconds, a damaged elevator had snatched me and my emotional hangover from last night’s wedding out of the bustling shopping hell and the lure of the…

ELIF SAYDAM – NO R.E.M.

The car was the first thing I saw. It read like a half eaten sentence, filling a residential sidewalk with bumper hanging. It was expensive, matte gray, out of place, as if it had snaked its way through incomes not its own and here was…

Geht wählen!

Liebe Freunde und Kollegen, es besteht die reale Gefahr, dass viele Menschen am 24. September zu Hause bleiben, weil sie glauben, das Wahlergebnis bereits zu kennen. Die Mitte der Gesellschaft wähnt sich in Sicherheit, während die AfD für die letzten Tage des Wahlkampfes eine massive…

Sylbee Kim: The Red Liquid and Narcissus

The Red Liquid and Narcissus draws an imaginary line between plutocracy and narcissism. The exhibition visualizes different parallels – in space, through mirroring and framing physical elements; in time, reflecting on the historical events that grounded our present, and in the body, exploring the flesh…