HAMISHI FARAH

HAMISHI FARAH
Jailbait (For Us By Us)

June 12th – July 18th, 2015
Opening Thursday, June 11th, 2015 – From 5pm to 9pm

@monCHERIE

Your big boy Hamishi been in Brussels having fun here

rose grow
recovered stolen artwork left unclaimed, rotting, safe, protected in Interpol storage
painting of a photo taken by cops of art
but french keyboqrd is auite different fro, english
painting G O O D B Y E . . .
and here is the kernel of such apocalyptic dreams
capitalism too is pushing for rupture within itself
Virginia Company song sung by sailors in Disney Pochohontas in 20 different languages
child sex tourist robot triggers girlfriend who walks out

crowdsources funding for child sex tourist robot
samsung was an early supporter of FUBU LL Cool J Gap ad
Everyone wants to be a nigga but no one wants to be a nigga (sic) (tru) watches whole first seasonof The wire in room alone
Tupac vertical panel grecian painting
i use a lot of stationery personally
schoolgirl

Foreigners Everywhere in French Flemish and English chinese character tattos come back in fqshion
i have a beautiful photo of this work in an earlier stage of progress xx
international, universal cops
Europeqn Pqrliq,ent Belgiqn Congo
ouroboros of drqgons eqting zhole drqgons
its always eqster here
feels colder thqn it is becquse of the dq,p
simple code of skipping over the 5 hqs nothing to do zith mqth or qlgebrq
little resting dog looks scqred

painting of q photo of unclqi,ed recovered stolen qrtzork protected by internqtionql police [custodiqns 9curqtors9]
dog hqs hqd q bqd dqy; been beqten up
,usic boxM lq vie en rose
yes
i zqs q rose once

a rose was a rose was a rose

r i p shakur
mackeivelli

first dog on the Seq Venture trqnsitioned seqmlesly fro, mqscot of the coloniqlists qnd cqpitqlists to the mqscot of
the pirqte secessionists from coliqnlis, qnd cqpitqlis,
visiting high en vet in legend bruxelles procures retroactive permission for landing of
beautiful french bulldog is very healthy with no fleas and all vaccines
the first dog c1609
cqn you see the colours of the zind?
visa certificate for international movement of small
frontier capitalism by dosmetic animals
stays with the old forms
Only God Can Judge My Interracial Relationship

Fountain being one of a group of objects made from
Oceans, seas, and waters outside of national jurisdiction also referred to as the high seas or, in Latin, mare liberum
(meaning free sea)

Jacket is FUBU
Bitch better have my money
– Hamishi Farah is a 24 year old Somali-Australian big boy artist

When u trying to finish a work called ‘best interests’ but cops forcibily remove u from the studio citing ‘bomb threat’ and ‘ur safety’

how these are held to the wall,
my chien
parlez anglais?

my birthday
merci
bedankt
thank you

Anything is alright

Text by Aurelia Guo

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Only god can judge me (Untitled)”,2015 Carpet 195 x 47 cm

Hamishi Farah
“Only god can judge me (Untitled)”,2015
Carpet
195 x 47 cm

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Bermuda Triangle (Storm)”,2015 Fan, Acrylic, Uniclo Legging, Foot Locker Tall Tee 60 x 140 x 140 cm

Hamishi Farah
“Bermuda Triangle (Storm)”,2015
Fan, Acrylic, Uniclo Legging, Foot Locker Tall Tee
60 x 140 x 140 cm

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Interpol lost & found (Working Title)”,2015 Whiteboard, mix media 190 x 160 x 60 cm

Hamishi Farah
“Interpol lost & found (Working Title)”,2015
Whiteboard, mix media
190 x 160 x 60 cm

Hamishi Farah “Interpol lost & found (Working Title)”,2015 Acrylic on linen 84,5 x 64 cm

Hamishi Farah
“Interpol lost & found (Working Title)”,2015
Acrylic on linen
84,5 x 64 cm

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Untitled (Fred)”,2015 Paper on canvas 128 x 161 cm

Hamishi Farah
“Untitled (Fred)”,2015
Paper on canvas
128 x 161 cm

Hamishi Farah “Untitled (Dieudonné)”,2015 Paper on canvas 128 x 161 cm

Hamishi Farah
“Untitled (Dieudonné)”,2015
Paper on canvas
128 x 161 cm

Hamishi Farah “Retroactive pet passport & travel docs for unnamed canine survivor of sea venture shipwreck”,2015 Mould on wall, pet import application Dimension variable

Hamishi Farah
“Retroactive pet passport & travel docs for unnamed canine survivor of sea venture shipwreck”,2015
Mould on wall, pet import application
Dimension variable

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Etranger partout / Vreemdelingen overal”,2015 Red vinyl on window Dimension variable

Hamishi Farah
“Etranger partout / Vreemdelingen overal”,2015
Red vinyl on window
Dimension variable

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “After “The Opening” (Johny Rottenin the UK Top 10 national treasures)”,2015 Clay, paper, tape, banana Dimension variable

Hamishi Farah
“After “The Opening” (Johny Rottenin the UK Top 10 national treasures)”,2015
Clay, paper, tape, banana
Dimension variable

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Pigs”,2015 Printed tape 15 cm de diamètre

Hamishi Farah
“Pigs”,2015
Printed tape
15 cm de diamètre

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Untitled (Monochrome)”,2015 Acrylic on oil primed linen 170 x 130 cm

Hamishi Farah
“Untitled (Monochrome)”,2015
Acrylic on oil primed linen
170 x 130 cm

Hamishi Farah “No Title”,2015 Whiteboard, mixed media 190 x 160 x 60 cm

Hamishi Farah
“No Title”,2015
Whiteboard, mixed media
190 x 160 x 60 cm

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Dog Heaven”,2015 Table, fountain, pump, 2 liters collected international water diluted with Brussels tap water 93 x 105 x 105 cm

Hamishi Farah
“Dog Heaven”,2015
Table, fountain, pump, 2 liters collected international water diluted with Brussels tap water
93 x 105 x 105 cm

Hamishi Farah “Dog Heaven”,2015 Table, fountain, pump, 2 liters collected international water diluted with Brussels tap water 93 x 105 x 105 cm

Hamishi Farah
“Dog Heaven”,2015
Table, fountain, pump, 2 liters collected international water diluted with Brussels tap water
93 x 105 x 105 cm

Hamishi Farah “Dog Heaven”,2015 Table, fountain, pump, 2 liters collected international water diluted with Brussels tap water 93 x 105 x 105 cm

Hamishi Farah
“Dog Heaven”,2015
Table, fountain, pump, 2 liters collected international water diluted with Brussels tap water
93 x 105 x 105 cm

Exhibition view Hamishi Farah, “Jailbait (For us by us)” MonChéri, Brussels, Belgium, 2015.

Exhibition view Hamishi Farah, “Jailbait (For us by us)”
MonChéri,
Brussels, Belgium, 2015.

Hamishi Farah “Wifi poem”,2015 5 wifi extenders, australian power box 34 x 5 cm

Hamishi Farah
“Wifi poem”,2015
5 wifi extenders, australian power box
34 x 5 cm

© Photo : Hugard & Vanoverschele / Courtesy of the artist and monCHERI, Bruxelles