ALEX MORRISON

The end of a long night. It’s dark out, yet the room is bathed in intriguing colors. Beer bottles and cans are everywhere and by now some Christmas lights have fallen from their hooks. It seems to have been a jolly good event – astonishing,…

GREY

Grey is a very common colour in nature. The human eye can recognize the same object as grey or as any other colour depending on how much light there is. The eye can distinguish 16 levels of grey. Grey is a complementary colour. The grey…

Yves Scherer

Studiolo is pleased to present Couples, a solo-exhibition by the Swiss artist Yves Scherer. “I’m not one of these guys who’s constantly in a relationship, not at all” The show’s title is a play on the the french fashion label The Kooples, whose ads depict…

SEEN BY 5: exponential anything

In der Broschüre „Die Informationsmaschine“, von IBM um 1979 herum veröffentlicht, heißt es über den Rechner: „Inzwischen wurden die intelligenten Automaten der Sphäre des Unheimlichen wieder entzogen. Der heutige Roboter – der Computer – ist wieder ‚Maschine‘.“ Erlebt diese Entwicklung heute eine erneute Umkehrung? Werden…

Simon Buckley, Othmar Farré, Andreas Kalbermatter

SPREEZ is pleased to announce ‚as you were, as we are‘, an exhibition by Simon Buckley, Othmar Farré and Andreas Kalbermatter. The exhibition will run from 12/12/15 – 12/01/16. For the exhibition, Buckley and Farré present a series of new collaborative sculptural works. Each work…

Coworkers at Musée d’art Moderne Paris

Coworkers at Musée d’art Moderne Paris This museum is really a French museum, I realize soon. I mean clichés. Like: most don’t know English, every logistical or organizational process is overly complicated and the food is delicious. I remember from someone’s words that it’s a…

Michele Gabriele @ Konstanet

Together, but apart, independent, but grouped – they stand to withstand. Bound by the air between them, bound by their materiality against the white background, they stand, so fleshy. Flesh and mind/ flesh, no mind – which is it? (…) As a group they are…

From Aerial Vortices

The film installation „From Aerial Vortices“ opens up a space free of gravity and leads into an utopian imagination of a timeless society, which perform an endless act of destruction and reconstruction. It takes the viewer on a vertiginous journey into an ocean of moving…

Michael Müller

In continually changing formations cutting across all artistic genres, Michael Müller examines processes of composition and translation in visual art. Proceeding from the drawing medium and its specific strategies for visual invention at the boundary between line and form, idea and depiction, Müller transfers this…

A PERFECT LIE

«La Città del Sole» (The City of the Sun), written in 1602 by the Italian Dominican friar Tommaso Campanella (1568-1639), is a philosophical work that outlines an ideal state characterised by communal possessions, in which the people follow the natural religion. The inhabitants of the…

COKE FIRST

Die Treppe hinauf, einer neuen Welt, einer glücklichen Zukunft entgegen. Wir stehen ganz oben, schauen hinunter. Wir verweilen und genießen den Augenblick, die Ruhe. Es geht wieder abwärts. Unbeholfen, unwillkürlich, unfreiwillig. Die Schritte werden größer. Wir kommen ins Stolpern. Ungewissheit und Schwere holt uns ein.…

Fenêtreproject & Pakui Hardware Dawning

After a few hours she dozed off and dreamed of bacterial buildups inside the bodies within the trench braves. Biofilms, what most people thought of as slime: little industrious bacterial cities reducing these corpses, these once-living giant evolutionary offspring, back to their native materials. Lovely…

Jungs, hier kommt der Masterplan

                  Lotte Meret Effinger, Surface Glaze, 2015, (preview)   Lotte Meret Effinger, Supernature, 2014 (preview)   Sarah Bernauer, Milky Ways, 2015 (extract)   Kunsthalle Basel Regionale 16 Jungs, hier kommt der Masterplan 28. Nov 2015 – 03. Jan 2016

Robert Brambora

“The Hunt” is Robert Brambora ́s first solo show at Salon Kennedy, Frankfurt. The exhibition presents a continuation of the artists on-going interest in labour and the notion of self- fulfilment in today’s society, which results in a discourse of advertisement, commercial promotion and respective…

Mariechen Danz – WOMB TOMB

Galerie Tanja Wagner is pleased to present new works by Mariechen Danz. The central work of the exhibition is the sculpture WOMB TOMB, which also lends its title to the show. A thermoactive human body has been laid out in the gallery space. The body…

Delia Jürgens

Delia Jürgens (*1986) setzt sich in ihrer künstlerischen Arbeit mit Oberflächen und Objekten auseinander, mit denen wir täglich in Berührung kommen. Dabei befasst sie sich u.a. mit den veränderten Kommunikations- und Wahrnehmungsformen unserer globalisierten Welt, die sich immer mehr ausweiten. Ein besonderer Schwerpunkt liegt auf…

MARTIN KOHOUT

IN CONVERSATION „There are two possible methods of approach to the problem of zoo design; the first, which may be called the ’naturalistic‘ method, is typified in the Hamburg and Paris zoos, where an attempt is made, as far as possible to reproduce the natural…

daylight – not scared

Dennis Buck, Peter Finnemore, Nuria Höyng, Okka-Esther Hungerbühler, Jil Lahr, Moritz Lacler, Marja Marlene Lechner, Felix Loycke, Mary-Audrey Ramirez, Tommaso Nicoletti, Joram Schön kuratiert von Okka-Esther Hungerbühler  

Etienne BOSSUT

„The Dutchmen, now, we see them painting things just as they are, apparently without thought (…) They make portraits, landscapes, still lifes. One could be stupider than that and commit greater follies. If we don’t know what to do, my dear old Bernard, then let’s…

„Young Americans“

Depth of the Digital Realm by Arielle Bier Don’t be deceived by the Young Americans. Their youthful exuberance is seductive, but they have deeper and darker secrets to tell than first meets the eye. Underneath the pop aesthetics, the flashy branding, and the decidedly artificial…

Soul Camp

Stellen Sie sich vor, Sie sind im Soul Camp. Von dem Moment an , wenn Sie die Galerie Heit betreten, beginnen Sie die Magie zu spüren. Die Luft scheint sich zu ändern , die Welt scheint sich zu beruhigen . Es gibt ein Flattern im…

MIKKEL CARL

You – „WHAT DOES IT LOOK LIKE?“ Me – „THINGS GET BUILD UP THEN THINGS FALL PART LAST WEEK I WAS WALKING ON THE BEACH W GRAINS OF SAND BLOWING DO U LIKE IT WHEN U LOOK AT IT?“ You – „R LIKE, WUT DO…

COLLECTION n°5

According to Gaston Bachelard, the house has a strong symbolic in its verticality. It is occured by a duality in its very structure and a delimitation between interiority and exteriority. Guest artists inaugurate each part of a nineteenth house, from basement to attic, making the…

COLLECTION n°4

Interior and The Collectors is an artist-run space founded in 2011 in Lyon. It takes place in an apartment and recently in a XIXth house, both opened to the public each saturday 2-4pm. The two spaces are available for short-term renting to make an intimate…

daylight – not scared

daylight – not scared Dennis Buck, Peter Finnemore, Nuria Höyng, Okka-Esther Hungerbühler, Jil Lahr, Moritz Lacler, Marja Marlene Lechner, Felix Loycke, Mary-Audrey Ramirez, Tommaso Nicoletti, Joram Schön kuratiert von Okka-Esther Hungerbühler Donnerstag 3.12.2015 17-22 Uhr Gartenstudio, Naunynstr. 53, 10999 Berin Hinabgetaucht ist der Mond und…

MIKE MEIRÉ

DIE WIRKLICHKEIT UNSERER STÄDTE ÜBER MIKE MEIRÉS INSTALLATION FÜR 5,26 m³ Jeder hat schon einmal zögernd in eine Fußgänger­unterführung geschaut. Soll man die Passage wa­gen? Oder entscheidet man sich doch dazu, das Hindernis, das sie unterqueren soll, entgegen der Planung oberirdisch zu überwinden? Anders als es…

SHIV KOTECHA

SHIV KOTECHA Looking for Richard Oct 30 – Dec 19 2015 We are pleased to announce “Looking for Richard”, the first solo show of New York-based artist Shiv Kotecha with Ginerva Gambino. For this show Kotecha will present five video works from his series “Looking…

Painting 2.0: Malerei im Informationszeitalter

„Hört auf zu malen“ schrieb der Beuys-Schüler Jörg Immendorff 1966 auf eines seiner Bilder, das Motiv, unter anderem ein Filzhut, durchkreuzte er mit dickem Pinselstrich. Und begann dann seine lange und erfolgreiche Karriere als Maler. In der Ausstellung „Painting 2.0: Malerei im Informationszeitalter“ im Museum…