ALEX MORRISON

The end of a long night. It’s dark out, yet the room is bathed in intriguing colors. Beer bottles and cans are everywhere and by now some Christmas lights have fallen from their hooks. It seems to have been a jolly good event – astonishing,…

GREY

Grey is a very common colour in nature. The human eye can recognize the same object as grey or as any other colour depending on how much light there is. The eye can distinguish 16 levels of grey. Grey is a complementary colour. The grey…

Yves Scherer

Studiolo is pleased to present Couples, a solo-exhibition by the Swiss artist Yves Scherer. “I’m not one of these guys who’s constantly in a relationship, not at all” The show’s title is a play on the the french fashion label The Kooples, whose ads depict…

SEEN BY 5: exponential anything

In der Broschüre „Die Informationsmaschine“, von IBM um 1979 herum veröffentlicht, heißt es über den Rechner: „Inzwischen wurden die intelligenten Automaten der Sphäre des Unheimlichen wieder entzogen. Der heutige Roboter – der Computer – ist wieder ‚Maschine‘.“ Erlebt diese Entwicklung heute eine erneute Umkehrung? Werden…

Simon Buckley, Othmar Farré, Andreas Kalbermatter

SPREEZ is pleased to announce ‚as you were, as we are‘, an exhibition by Simon Buckley, Othmar Farré and Andreas Kalbermatter. The exhibition will run from 12/12/15 – 12/01/16. For the exhibition, Buckley and Farré present a series of new collaborative sculptural works. Each work…

Coworkers at Musée d’art Moderne Paris

Coworkers at Musée d’art Moderne Paris This museum is really a French museum, I realize soon. I mean clichés. Like: most don’t know English, every logistical or organizational process is overly complicated and the food is delicious. I remember from someone’s words that it’s a…

Michele Gabriele @ Konstanet

Together, but apart, independent, but grouped – they stand to withstand. Bound by the air between them, bound by their materiality against the white background, they stand, so fleshy. Flesh and mind/ flesh, no mind – which is it? (…) As a group they are…

From Aerial Vortices

The film installation „From Aerial Vortices“ opens up a space free of gravity and leads into an utopian imagination of a timeless society, which perform an endless act of destruction and reconstruction. It takes the viewer on a vertiginous journey into an ocean of moving…

Michael Müller

In continually changing formations cutting across all artistic genres, Michael Müller examines processes of composition and translation in visual art. Proceeding from the drawing medium and its specific strategies for visual invention at the boundary between line and form, idea and depiction, Müller transfers this…

A PERFECT LIE

«La Città del Sole» (The City of the Sun), written in 1602 by the Italian Dominican friar Tommaso Campanella (1568-1639), is a philosophical work that outlines an ideal state characterised by communal possessions, in which the people follow the natural religion. The inhabitants of the…

COKE FIRST

Die Treppe hinauf, einer neuen Welt, einer glücklichen Zukunft entgegen. Wir stehen ganz oben, schauen hinunter. Wir verweilen und genießen den Augenblick, die Ruhe. Es geht wieder abwärts. Unbeholfen, unwillkürlich, unfreiwillig. Die Schritte werden größer. Wir kommen ins Stolpern. Ungewissheit und Schwere holt uns ein.…

Fenêtreproject & Pakui Hardware Dawning

After a few hours she dozed off and dreamed of bacterial buildups inside the bodies within the trench braves. Biofilms, what most people thought of as slime: little industrious bacterial cities reducing these corpses, these once-living giant evolutionary offspring, back to their native materials. Lovely…

Jungs, hier kommt der Masterplan

                  Lotte Meret Effinger, Surface Glaze, 2015, (preview)   Lotte Meret Effinger, Supernature, 2014 (preview)   Sarah Bernauer, Milky Ways, 2015 (extract)   Kunsthalle Basel Regionale 16 Jungs, hier kommt der Masterplan 28. Nov 2015 – 03. Jan 2016