Submission
Agata Milizia, Simon Mann, Marten Schech, Maria Trabulo, Johanna Seidel, Robert Czolkoß, Masha Silchenko and Jake Kent

Nymph

My deer, my snail, dear water, dear sunshine show me the truth that lies dormant in you, show me the path that you walk together. Teach me the love that can still exist in the age of hydrocarbon extraction. I will be faithful, patient, I will change and go through the gate. Save myself in illusions. Text by Theresa Tuffner


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Marten Schech (DE) Rag Dresser, 2021, chest of drawers, scrap wood Agata Milizia (ITA) n.t., 2020, glazed ceramics
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Simon Mann (DE) Glaze of Vase, 2018 glazed ceramics
Marten Schech (DE) Rag Dresser, 2021, chest of drawers, scrap wood Agata Milizia (ITA) n.t., 2020, glazed ceramics In the background Johanna Seidel (DE) n.t. (Chico), 2021, oil on canvas Mother Soil, 2020, oil on canvas
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Marten Schech (DE) Johanna Seidel (DE)
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Masha Silchenko (FRA) Wall ceramics: „Live-Evil“, 2019 ceramics Jake Kent (GBR) A (Tiny) Friendly Burst of Anger, 2020 watercolour and wood glue on ceramics
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Robert Czolkoß (DE) Archiv für private analoge Fotografie, since 2018 found photographie
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Jake Kent (GBR) Calendar for the Year 2017 (the Past) 2018, oil pastel on ceramics Maria Trabulo (PRT) ClayTablet_8845858-2019_Unknown.jpg, 2021 aluminum cut manually with plasma pen, photographic print Agata Milizia (ITA) Blowing Dandelion Seeds (Galaxy S3), 2021 text and audio, 7:32 min
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Johanna Seidel (DE) & Masha Silchenko (FRA) Devil bowl, 2019, ceramics
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Mylasher HAKU, 2019, glazed ceramics Robert Czolkoß (DE) Archiv für private analoge Fotografie, since 2018 found photographie
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Masha Silchenko (FRA) „Bruxelles-Antwerp“, 2019 oil and color pencils on canvas Johanna Seidel (DE) n.t. (Chico), 2021, oil on canvas Mother Soil, 2020, oil on canvas Maria Trabulo (PRT) Mask_143157_Damascus.jpg, 2021 aluminum cut manually with plasma pen, hand polishing
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Jake Kent (GBR) Wir Bleiben, Alle , 2021 watercolour and gouache on ceramics, found materials, LED

NỲMpH
„EVERYTHING ONLY CHANGES, NOTHING DIES. OVER, ACROSS THE ANIMATING BREATH ERRS, AND IN OTHER ARBITRARY MEMBERS IT MOVES IN AND GOES FROM ANIMALS INTO HUMAN BODIES AND IN ANIMALS FROM US AND EXISTS SO ETER- NAL TIMES. LIKE THE SUPPLE WAX, TO A NEW SHAPE, NEITHER REMAINS, AS IT WAS, NOR HOLDS ON TO THE SAME FORMS, … „

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