Daria Arbuzova
Frozen Throne
Project Info
- 💙 GES-2 House of Culture
- 💚 Yaroslav Aleshin, Anastasia Proshutinskaya, Artem Timonov
- 🖤 Daria Arbuzova
- 💛 Photo: Anna Zavozyaeva, Post-processing: Evgenia Senina
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Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
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Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova, Frozen Throne, 2026. 3D printing, PETG plastic, ice, refrigeration equipment.
Daria Arbuzova uses transparent materials — glass, plastic, and now ice — to explore the social
and psychological aspects of modern life, which teeters on the border between the digital and the
material.
Her sculpture, created especially for the Eternity Formulae project, is inspired by an add-on to the
computer game, Warcraft Ill, also called The Frozen Throne, and the artist interprets the throne
itself as a symbol of omnipotence. Set within a refrigeration unit, the sculpture references
Zholtovsky's industrial refrigerator. We see how much human effort, electricity, heat, and noise are
required in order to preserve the ice sculpture in its original form, inspiring reflection on
humanity's inherent desire to hold on to and preserve the present.
Located across the hall from Zholtovsky's chair, the ice throne hints at a parallel between the
architect, who creates the appearance and landscape of our everyday life, and the despot, who
decides destinies—be it a political ruler or a developer of a virtual world. Inside the angular
throne, roughly cut from a piece of ice, there is a computer chair made of a material resembling
bone. It has as many small details and decorative excesses as the original design for the industrial
refrigerator, and its owner is located somewhere at the crossroads of worlds: he is a gamer
immersed in play, or a character in the game, or even its developer, or an architect who, in the
twenty-first century, has swapped his office space for a laptop and a swivel chair.