Archive 2021 KubaParis

Gaps and Spaces

Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, 001
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, 001
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _002_
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _002_
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _003
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _003
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _004
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _004
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _005
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, _005
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, 006
Johanna Cahrlotte Trede, A pack starts with Three, 2021, Wood, tar paper, each 14x65x50, 006

Location

Galerie Georg Kargl Permanent

Date

03.09 –08.10.2021

Curator

Martin Guttmann

Photography

https://www.kunst-dokumentation.com, Manuel Carreon Lopez

Subheadline

A pack starts with Three

Text

A Pack starts with Three The view from the exhibition space: the freihausviertel, a zone of war heroes exempted from ordinary laws because of their bravery. For some the neighborhood stands for transcendance through dedication and service. Others dream of the bravery of those who flouted the law for the sake of a higher law - the bandits who joined forces after refusing to submit to cruelty and injustice. The bands that resulted weren't armies; the union of outlaws created rough formations, glued together by hope and rage. Such images are no longer associated only with old photographs from the dusty hills of Mexico or Sicily. The banding together of the weak to fight against all odds takes place once more almost everywhere - as much in the world of asphalt and cement as anywhere else. A view from the street into the exhibition space: An assembly of pillow size pellets, made of untreated lumber connected to each other with sheets of black industrial adhesive - a bandolera for the freihausviertel. Martin Guttmann (2021)

Martin Guttmann