Archive 2021 KubaParis

pasa la pipa

Constantin Hartenstein pasa la pipa installation view, La Limonera Santa Cruz de Tenerife
Constantin Hartenstein pasa la pipa installation view, La Limonera Santa Cruz de Tenerife
Conquistador 2021 epoxy resin, found book page 45 x 25 cm
Conquistador 2021 epoxy resin, found book page 45 x 25 cm
Mencey Bentor 2021 epoxy resin, amino acid, steel 85 x 40 x 45 cm
Mencey Bentor 2021 epoxy resin, amino acid, steel 85 x 40 x 45 cm
Constantin Hartenstein pasa la pipa installation view, La Limonera Santa Cruz de Tenerife
Constantin Hartenstein pasa la pipa installation view, La Limonera Santa Cruz de Tenerife
Municipal 2021 epoxy resin, amino acid 12 cm diameter
Municipal 2021 epoxy resin, amino acid 12 cm diameter
Mojo 2021 poem translated to El Silbo whistled by Rogelio Botanz (@rogeliobotanzparra )
Mojo 2021 poem translated to El Silbo whistled by Rogelio Botanz (@rogeliobotanzparra )
Critical Mass 2021 series of Riso prints each 30 x 40 cm
Critical Mass 2021 series of Riso prints each 30 x 40 cm
Critical Mass (detail) 2021 series of Riso prints each 30 x 40 cm
Critical Mass (detail) 2021 series of Riso prints each 30 x 40 cm
Caido 2021 epoxy resin, amino acid, clay, steel 220 x 80 cm
Caido 2021 epoxy resin, amino acid, clay, steel 220 x 80 cm

Location

La Limonera

Date

15.08 –11.09.2021

Photography

Mika Batista

Subheadline

Constantin Hartenstein pasa la pipa La Limonera (@la_limonera_estudio ) Santa Cruz de Tenerife 16.8. - 12.9.2021

Text

Constantin Hartenstein pasa la pipa La Limonera (@la_limonera_estudio ) Santa Cruz de Tenerife 16.8. - 12.9.2021 During his residency at La Limonera, Constantin Hartenstein researched on LGBTQIA+ history in the Canary Islands; particularly how queer imagery occurs within the Guanches culture, during colonial occupation, the Franco era as well as contemporary post-capitalism. His project resulted in a sculptural intervention which focuses on the relationship between the perception of Tenerife’s history, how the public engages with remnants of totalitarian monuments on the island and how those could be read outside of their historical context. How can we re-think productivity, values of community and solidarity after gaining awareness of the colonial past? photographs: Mike Batista (@mikebatistarios ) thanks to: Abraham Riveron (@abraham_riveron ), Mabel Martin (@mabelmartin.art ), Mike Batista (@mikebatistarios ), Natalia Moreno Martin (@natalia_moreno_martin ), Nestor Delgado Morales (@nestor_delgado_morales ), TEA (@teatenerife )