Archive 2022 KubaParis

Everything not saved will be lost

JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view1_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view1_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view2_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view2_2022
JUSTYNA SMOLEŃ_"Lucky tree" collage, porcelain and ceramics, 30x32x57cm, 2022
JUSTYNA SMOLEŃ_"Lucky tree" collage, porcelain and ceramics, 30x32x57cm, 2022
JUSTYNA SMOLEŃ"Lucky tree" collage, porcelain and ceramics,detail, 30x32x57cm, 2022
JUSTYNA SMOLEŃ"Lucky tree" collage, porcelain and ceramics,detail, 30x32x57cm, 2022
JUSTYNA SMOLEŃ_"Fountain"ceramics, porcelain, adhesive mortar, 15 x 21 x 37 cm, 2022
JUSTYNA SMOLEŃ_"Fountain"ceramics, porcelain, adhesive mortar, 15 x 21 x 37 cm, 2022
JUSTYNA SMOLEŃ_"Frieze"ceramics, porcelain, adhesive mortar, 30 x 180 x 4 cm, 2022
JUSTYNA SMOLEŃ_"Frieze"ceramics, porcelain, adhesive mortar, 30 x 180 x 4 cm, 2022
JUSTYNA SMOLEŃ_"Frieze"ceramics, porcelain, adhesive mortar, 30 x 180 x 4 cm, 2022
JUSTYNA SMOLEŃ_"Frieze"ceramics, porcelain, adhesive mortar, 30 x 180 x 4 cm, 2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view3_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view3_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view4_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view4_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view5_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view5_2022
PAWEŁ OLSZEWSKI_"SPITTOON" 3d printing, polyactide, 40 x 17 cm, 2021
PAWEŁ OLSZEWSKI_"SPITTOON" 3d printing, polyactide, 40 x 17 cm, 2021
PAWEŁ OLSZEWSKI "Head" linseed oil, 45 x 38 cm 2021
PAWEŁ OLSZEWSKI "Head" linseed oil, 45 x 38 cm 2021
PAWEŁ OLSZEWSKI Two "Vases with Withered Flowers" 85 x 74 cm, oil on linen, 2021
PAWEŁ OLSZEWSKI Two "Vases with Withered Flowers" 85 x 74 cm, oil on linen, 2021
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view6_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view6_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view6_2022
JUSTYNA SMOLEŃ_PAWEŁ OLSZEWSKI_exhibition view6_2022
PAWEŁ OLSZEWSKI"Eyes"3d printing, polyactide, 40 x 17 cm, 2021
PAWEŁ OLSZEWSKI"Eyes"3d printing, polyactide, 40 x 17 cm, 2021
JUSTYNA SMOLEŃ"Lucky tree" collage, porcelain and ceramics,detail, 30x32x57cm, 2022
JUSTYNA SMOLEŃ"Lucky tree" collage, porcelain and ceramics,detail, 30x32x57cm, 2022

Location

PIANA GALLERY

Date

13.01 –13.02.2022

Curator

Filip Rybkowski_Michał Sroka_Michał Zawada

Photography

Filip Rybkowski

Subheadline

The artists presented are Justyna Smoleń https://www.instagram.com/justsmolen/ and Paweł Olszewski https://www.instagram.com/pa_olszewski/ Justyna Smoleń and Paweł Olszewski deal with processing - they change the focus of objects and thoughts, and thus our ideas about the world that surrounds us. They reach for the elements of everyday life that we would like to get rid of, giving them another chance - a chance to tell us something, to mean something to us again.

Text

Justyna Smoleń _ Paweł Olszewski Everything Not Saved Will Be Lost 14.01.-14.02.2022 Cracow Piana Gallery PIANA GALLERY FOUNDATION Retoryka Street 24, Cracow Think of what you see as an exercise. You ask: an exercise in what? We will answer: an exercise in remembering and forgetting. Of repeating and destroying. There are several tools at your disposal. Some of them are fragments of the distant and the near past, which have formed a new whole in which nothing is as it once was. Some make you look at yourself for a long time, but give little in return. Some repeat the same or almost the same thing over and over again. Some should be discarded, but are still here and won't let you forget. Some try to perpetuate what you want to remember, but end up writing it off. Justyna Smoleń and Paweł Olszewski deal with processing - they change the focus of objects and thoughts, and thus our ideas about the world that surrounds us. They reach for the elements of everyday life that we would like to get rid of, giving them another chance - a chance to tell us something, to mean something to us again. They nurture history, yet they are far from being academic historians. They conserve what would sooner or later end up in the dustbin: the meagre remains of porcelain dandelions that have long since lost their seductive charm, flowers that, withering, are about to lose their miraculous form, saliva that moistened our mouths a moment ago, and now dries on the wall. They reverse the order of things - what is repulsive begins to attract again, and what we would like to keep suddenly becomes something we reject. In one of the Slavic tales about the creation of the world, a god moulded a man from clay, and a malicious devil spat on his body, condemning it to illness, urges and death. Justyna and Paweł have prepared for us something like a modern golem stuck out of clay, saliva and plastic, a mixture of the dry and the wet, the analogue and the digital, the inanimate and the organic. The world they create is haunted by memories and their degenerated spectres. It is a world condemned to recycling. It is difficult to think of something completely new, because the past, the greatest burden, cannot simply be swept under the carpet. FUNDACJA GALERII PIANA ul. Retoryka 24, KRAKÓW https://pianagallery.com/ https://www.instagram.com/pianagallery/

Michal Zawada