garabato-en-la-glotis

Through installation and sound, Álvaro Chior focuses on the tensions and conflicts between different material and linguistic processes, between the discursive and the fictional, between the organic and the over-designed, and the gestural and the automated. Departing from the sound of the rain on the gutters, Garabato en la glotis speculates and reflects on the idea of flux, the origins of music, its notation, representation, and affective and material conditions. This exhibition was the third intervention of the series Meandro Merodeo, which explored the intersection between the experiential and fantastical with the exhibition space. *Garabato en la glotis was kindly supported by VEGAP Ayudas a las Artes Visuales.