Archive 2021 KubaParis

Innenfutter

Lena Schramm, Exhibition View
Lena Schramm, Exhibition View
Lena Schramm, Exhibition View
Lena Schramm, Exhibition View
Lena Schramm, Lichtfalle Ultraviolett* Wood, neon  177 x 88 x 85 cm · 2021 *lighttrap ultraviolet
Lena Schramm, Lichtfalle Ultraviolett* Wood, neon 177 x 88 x 85 cm · 2021 *lighttrap ultraviolet
Lena Schramm, Exhibition View
Lena Schramm, Exhibition View
Lena Schramm, Lichtfalle Grün* Rake, lightbulb with socket 152 x 36 x 15 cm · 2021 *lighttrap green
Lena Schramm, Lichtfalle Grün* Rake, lightbulb with socket 152 x 36 x 15 cm · 2021 *lighttrap green
Lena Schramm, Tagesdecke Gut genährt* Oil on canvas, wood 248 x 148 x 126 cm · 2021 *Bedspread well fed
Lena Schramm, Tagesdecke Gut genährt* Oil on canvas, wood 248 x 148 x 126 cm · 2021 *Bedspread well fed
Lena Schramm, Papierfalle I* Oil on canvas 60 x 45 cm · 2021 *papertrap I
Lena Schramm, Papierfalle I* Oil on canvas 60 x 45 cm · 2021 *papertrap I
Lena Schramm, Tagesdecke Warm-Kalt* Oil on canvas, wood 224 x 148 x 124 cm · 2021 *bedspread warm-cold
Lena Schramm, Tagesdecke Warm-Kalt* Oil on canvas, wood 224 x 148 x 124 cm · 2021 *bedspread warm-cold
Len Schramm, Lichtfalle Blau* Tree saw, construction lamp Dimensions variable · 2021 *lighttrap blue
Len Schramm, Lichtfalle Blau* Tree saw, construction lamp Dimensions variable · 2021 *lighttrap blue
Lena Schramm, Papierfalle IV* Oil on canvas 60 x 45 cm · 2021 *papertrap IV
Lena Schramm, Papierfalle IV* Oil on canvas 60 x 45 cm · 2021 *papertrap IV
Lena Schramm, Exhibition View
Lena Schramm, Exhibition View
Lena Schramm, Meine Finsternis Licht macht fork, neon bulb 163 x 24 x 4 cm · 2020
Lena Schramm, Meine Finsternis Licht macht fork, neon bulb 163 x 24 x 4 cm · 2020
Lena Schramm, Exhibition View
Lena Schramm, Exhibition View

Location

Chambre Directe - Schubiger

Date

01.12 –29.01.2022

Curator

Galerie Kai Erdmann

Photography

Galerie Kai Erdmann

Subheadline

Soloshow in St. Gallen Switzerland

Text

In order to fly straight ahead, moths always hold a 40-degree angle to the moon. This only works because the moon is so far away and therefore represents a fixed point. However, if a moth encounters artificial light, this becomes the brightest point. This source is far too close, with which the moth has to constantly correct its course in order to maintain the 40-degree angle. As a result, instead of flying straight ahead, it flies a curve in ever narrower paths towards the light and burns up. The construction of several light traps at the new moon and in the low spectral range is used on December 2nd to protect a few attractants, e.g. painted woolen blankets, perhaps also birdseed. Papers containing biocides offer double protection. Means and antidotes at the same time are a method of confusion in order to at least slow down the deterioration of the substances.

Galerie Kai Erdmann