Archive 2022 KubaParis

under the sun

Troika, Rindon Johnson, Liz Deschenes, under the sun, exhibition view, 2022
Troika, Rindon Johnson, Liz Deschenes, under the sun, exhibition view, 2022
Troika, Rindon Johnson, Liz Deschenes, under the sun, exhibition view, 2022
Troika, Rindon Johnson, Liz Deschenes, under the sun, exhibition view, 2022
Troika, Rindon Johnson, under the sun, exhibition view, 2022
Troika, Rindon Johnson, under the sun, exhibition view, 2022
Rindon Johnson, Liz Deschenes, under the sun, exhibition view, 2022
Rindon Johnson, Liz Deschenes, under the sun, exhibition view, 2022
Troika, Rindon Johnson, under the sun, exhibition view, 2022
Troika, Rindon Johnson, under the sun, exhibition view, 2022
Liz Deschenes, FPS (30) - 10 in. x 5 panels, #2, 2018, Silver gelatin photograms mounted on dibond, 5 parts each: 152.4 x 25.4 x 1.9 cm
Liz Deschenes, FPS (30) - 10 in. x 5 panels, #2, 2018, Silver gelatin photograms mounted on dibond, 5 parts each: 152.4 x 25.4 x 1.9 cm
Liz Deschenes, FPS (30) - 10 in. x 5 panels, #2, 2018, Silver gelatin photograms mounted on dibond, 5 parts each: 152.4 x 25.4 x 1.9 cm
Liz Deschenes, FPS (30) - 10 in. x 5 panels, #2, 2018, Silver gelatin photograms mounted on dibond, 5 parts each: 152.4 x 25.4 x 1.9 cm
Rindon Johnson, Cambrian slippery wetness, I’ve never looked at anything so long, and in which of us people does the common matter rise?, 2021, Leather, bleach, crayon, polyurethane and mica, 165 x 96.5 cm
Rindon Johnson, Cambrian slippery wetness, I’ve never looked at anything so long, and in which of us people does the common matter rise?, 2021, Leather, bleach, crayon, polyurethane and mica, 165 x 96.5 cm
Rindon Johnson, Cambrian slippery wetness, I’ve never looked at anything so long, and in which of us people does the common matter rise?, 2021, Leather, bleach, crayon, polyurethane and mica, 165 x 96.5 cm
Rindon Johnson, Cambrian slippery wetness, I’ve never looked at anything so long, and in which of us people does the common matter rise?, 2021, Leather, bleach, crayon, polyurethane and mica, 165 x 96.5 cm
Rindon Johnson, May the moon meet us apart, may the sun meet us together, 2021, Virtual reality film
Rindon Johnson, May the moon meet us apart, may the sun meet us together, 2021, Virtual reality film
Troika, Evolutionary Composite, 2022, Silicon wafer, flint biface and perspex, 32 x 32 x 5 cm
Troika, Evolutionary Composite, 2022, Silicon wafer, flint biface and perspex, 32 x 32 x 5 cm
Troika, Evolutionary Composite, 2022, Silicon wafer, flint biface and perspex, 32 x 32 x 5 cm
Troika, Evolutionary Composite, 2022, Silicon wafer, flint biface and perspex, 32 x 32 x 5 cm
Troika, Path of Least Resistance, 2014, Electric charge on paper, 104.5 x 75.5 x 3.4 cm
Troika, Path of Least Resistance, 2014, Electric charge on paper, 104.5 x 75.5 x 3.4 cm
Troika, Path of Least Resistance, 2014, Electric charge on paper, 104.5 x 75.5 x 3.4 cm
Troika, Path of Least Resistance, 2014, Electric charge on paper, 104.5 x 75.5 x 3.4 cm
Troika, Terminal Beach, 2020, Computer animation, custom motion capture, sound in collaboration with Dr Nigel Meredith, British Antarctic Survey, 4:00 min
Troika, Terminal Beach, 2020, Computer animation, custom motion capture, sound in collaboration with Dr Nigel Meredith, British Antarctic Survey, 4:00 min
Troika, Terminal Beach, 2020, Computer animation, custom motion capture, sound in collaboration with Dr Nigel Meredith, British Antarctic Survey, 4:00 min
Troika, Terminal Beach, 2020, Computer animation, custom motion capture, sound in collaboration with Dr Nigel Meredith, British Antarctic Survey, 4:00 min

Location

max goelitz gallery

Date

01.03 –13.04.2022

Photography

Dirk Tacke

Subheadline

The group exhibition under the sun brings together works by the artists Liz Deschenes, Rindon Johnson and the collective Troika. The title under the sun leads metaphorically through the show and refers to our collective, yet decentralized existence on the entire planet Earth, which is currently confronted with numerous challenges.

Text

In the artists' works, this is reflected through an interest in socio-economic structures and their effects on nature. On the other hand, the title under the sun can also be taken literally: The sun generates light and energy, which the artists use as instruments and formative elements. The artists also share a common interest in physical processes and formal changes through exposure, heat, solar radiation or material resources that shape the environment of our existence under the sun.    The exhibition takes place in cooperation with François Ghebaly, Los Angeles and Miguel Abreu Gallery, New York, and with the support of Galería OMR, Mexico City.