Archive 2022 KubaParis

Webs and Combs

Installation view
Installation view
Combchair, 2022 (found chair, plaster, fabric, woven silk, bronze)
Combchair, 2022 (found chair, plaster, fabric, woven silk, bronze)
Fragment
Fragment
Combgirl, 2022 pencil on paper (lace plaster imprint)
Combgirl, 2022 pencil on paper (lace plaster imprint)
Installation view
Installation view
Instrument1, 2022 (found objects, woven silk, ceramics)
Instrument1, 2022 (found objects, woven silk, ceramics)
Witch's hands, 2022 (Pencil on paper)
Witch's hands, 2022 (Pencil on paper)
Witch's hands save me, 2022 (Pencil on paper)
Witch's hands save me, 2022 (Pencil on paper)
Safe table, 2022 (found table, fabric, stuffing martial, bronze parts)
Safe table, 2022 (found table, fabric, stuffing martial, bronze parts)
Fragment
Fragment
Webbing, 2022 (Found metal scraps, woven silk)
Webbing, 2022 (Found metal scraps, woven silk)
Fragment
Fragment
Water Fall, 2022 (pencil on paper, plastered lace)
Water Fall, 2022 (pencil on paper, plastered lace)
Detail (Combchair)
Detail (Combchair)
Detail (Instrument1)
Detail (Instrument1)
Detail (Instrument1)
Detail (Instrument1)

Location

offsite

Date

20.02 –10.03.2022

Photography

Adi Lam and Dorian Kerido

Subheadline

Offsite exhibition, 21.2-11.3 by Galit Silver

Text

This project was exhibited in a nonfunctioning storage garage. There are two main thoughts that were leading these works, one is the act of a spider, finding an abandoned pile of clothes, or the back of an unused furniture for that matter, and making his temporary, silk web. Implementing this action, as also a sort of battle from a passive, depressed state the "leaves" thrown objects around, and weaving on these states a shiny, maybe precious, web. The other thought is the combing, maybe this is the opposite action of webbing and weaving. Combs that are made to detangle messes, clear up, organize wild hairs.