Groupshow

A separate place between the thought and felt

Project Info

  • 💙 South Parade
  • 🖤 Groupshow
  • 💜 South Parade
  • 💛 Corey Bartle-Sanderson

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South Parade Summer Group Exhibition Peter Brock, Abraham Cruzvillegas, Judith Dean, Tom Hardwick-Allan, Tulani Hlalo, Motoko Ishibashi, Rosa Klerkx, Gillian Lowndes, Terence McCormack, Dorothy Mead, Andrew North & Katie Shannon
Tom Hardwick—Allan, After the Numbers, Before the Numbness, 2024. Ink, acrylic, pen and pencil on carved birch plywood, 112 (H) x 102 (W) x 2.4 (D) cm
Tom Hardwick—Allan, After the Numbers, Before the Numbness, 2024. Ink, acrylic, pen and pencil on carved birch plywood, 112 (H) x 102 (W) x 2.4 (D) cm
Dorothy Mead, Still life with flowers, 1957. Gouache on paper, 56 x 76 cm / 63.5 x 84 cm (framed)
Dorothy Mead, Still life with flowers, 1957. Gouache on paper, 56 x 76 cm / 63.5 x 84 cm (framed)
Motoko Ishibashi, BBT_3, 2022. Acrylic on canvas, 150 x 150 cm
Motoko Ishibashi, BBT_3, 2022. Acrylic on canvas, 150 x 150 cm
Peter Brock, An Ear at the Edge of a Chasm, 2024. Oil, graphite and coloured pencil on aqua-resin, aluminium panel, 61 x 76 cm
Peter Brock, An Ear at the Edge of a Chasm, 2024. Oil, graphite and coloured pencil on aqua-resin, aluminium panel, 61 x 76 cm
Katie Shannon, performancesuits24, 2022—2024. Materials variable, dimensions variable
Katie Shannon, performancesuits24, 2022—2024. Materials variable, dimensions variable
  Judith Dean, No Fly Zone, 2024. Acrylic on polyester, 122 x 61 cm
Judith Dean, No Fly Zone, 2024. Acrylic on polyester, 122 x 61 cm
  Katie Shannon, Sicko Suit, 2023. Embroidered and embellished textile, found plastic bag, silver, wool, dimensions variable
Katie Shannon, Sicko Suit, 2023. Embroidered and embellished textile, found plastic bag, silver, wool, dimensions variable
Terence McCormack, (Untitled) Family Zone, 2024. 2 x hand printed silver gelatin prints using 35 mm positive transparency from Family Zone 2023 (50.8 x 40.6 cm), oklahoma yellow acetate, birch plywood, AR coated glass , plinth (65 x 60 x 100 cm).
Terence McCormack, (Untitled) Family Zone, 2024. 2 x hand printed silver gelatin prints using 35 mm positive transparency from Family Zone 2023 (50.8 x 40.6 cm), oklahoma yellow acetate, birch plywood, AR coated glass , plinth (65 x 60 x 100 cm).
(Detail) Terence McCormack, (Untitled) Family Zone, 2024.
(Detail) Terence McCormack, (Untitled) Family Zone, 2024.
Left: Andrew North, Untitled, 2024. Oil on black coated polypropylene, 35 x 25.5 cm. Right: Andrew North, Untitled, 2024. Oil on blue coated polypropylene, 35 x 25.5 cm
Left: Andrew North, Untitled, 2024. Oil on black coated polypropylene, 35 x 25.5 cm. Right: Andrew North, Untitled, 2024. Oil on blue coated polypropylene, 35 x 25.5 cm
  Tulani Hlalo, 3rd Place 2022, 2021. Acrylic wool, nylon yarn, cotton aran yarn, felt, 130 x 98 cm
Tulani Hlalo, 3rd Place 2022, 2021. Acrylic wool, nylon yarn, cotton aran yarn, felt, 130 x 98 cm
  Rosa Klerkx, The Green Room I, 2023. Pigment print, 60 x 40 cm / 79 x 59 cm (framed), Edition of 5
Rosa Klerkx, The Green Room I, 2023. Pigment print, 60 x 40 cm / 79 x 59 cm (framed), Edition of 5
  Gillian Lowndes, Another Cup of Tea, 2005. Fired mixed media, ceramic, 4 x 16 x 6 cm
Gillian Lowndes, Another Cup of Tea, 2005. Fired mixed media, ceramic, 4 x 16 x 6 cm
South Parade presents A separate place between the thought and felt, a group exhibition bringing together contemporary and historical works. The exhibition takes its title from the first line of The Corridor, a poem by British, beat poet Thom Gunn (1929–2004), in which a clandestine watcher becomes aware that he himself is sensed whilst looking through a keyhole, though not seen. The Corridor becomes a location of existential awareness having moments before, been featureless and bland. This exhibition presents works that evoke a sense of Space and Place and the differing ways to experience the world; whether conceptual, visual, tactile and beyond. Space becomes place when we pause and cease moving in abstraction.
South Parade

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