Cecilie Skov and Aia Sofia Coverley Turan
Some Windows Are Blind
1. Aia Sofia Coverley Turan & Cecilie Skov Rains pours on language too Copper, tin, steel, paint. 195 x 150 cm
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2. Aia Sofia Coverley Turan & Cecilie Skov Rains pours on language too Copper, tin, steel, paint. 195 x 150 cm
3. Aia Sofia Coverley Turan & Cecilie Skov Rains pours on language too Copper, tin, steel, paint. 195 x 150 cm.
4. Aia Sofia Coverley Turan & Cecilie Skov Rains pours on language too Copper, tin, steel, paint. 195 x 150 cm.
5. Aia Sofia Coverley Turan & Cecilie Skov Some Windows are Blind Steel, beeswax, tin. 195 x 150 cm.
6. Aia Sofia Coverley Turan & Cecilie Skov Some Windows are Blind Steel, beeswax, tin. 195 x 150 cm.
7. Aia Sofia Coverley Turan & Cecilie Skov Brochure Aluminium, steel, beeswax, pigment. 195 x 150 cm.
8. Aia Sofia Coverley Turan & Cecilie Skov Brochure Aluminium, steel, beeswax, pigment. 195 x 150 cm.
9. Aia Sofia Coverley Turan & Cecilie Skov Dry delight Patinated copper, steel, tin, chalk. 195 x 150 cm.
10.Aia Sofia Coverley Turan & Cecilie Skov Dry delight Patinated copper, steel, tin, chalk. 195 x 150 cm.
11. Aia Sofia Coverley Turan & Cecilie Skov Dry delight Patinated copper, steel, tin, chalk. 195 x 150 cm.
12. Aia Sofia Coverley Turan & Cecilie Skov Dry delight Patinated copper, steel, tin, chalk. 195 x 150 cm.
13. Aia Sofia Coverley Turan & Cecilie Skov Lost counting Copper, aluminium, steel, paint, tin. 195 x 150 cm.
14. Aia Sofia Coverley Turan & Cecilie Skov Lost counting Copper, aluminium, steel, paint, tin. 195 x 150 cm.
15. Aia Sofia Coverley Turan & Cecilie Skov Lost counting Copper, aluminium, steel, paint, tin. 195 x 150 cm.
16. Aia Sofia Coverley Turan & Cecilie Skov Brochure Aluminium, steel, beeswax, pigment. 195 x 150 cm.
The exhibition ‘Some Windows Are Blind’ presents a series of five sculptures placed in the landscape around 44Møen. They resemble abstract maps and boards that both collect and transmit information. Made of various metals - copper, aluminum, steel and tin - they react differently to weather and touch. They take the form of enlarged sheets of paper; some have holes like those of a hole punch, while others have dog-ears, folds or a crumpled post-it note. Their titles open up a poetic space where literary narratives merge with the materials and the surrounding landscape.
The works are a continuation of the artistic dialog between Aia Sofia C. Turan (1994) and Cecilie Skov (1988). With ‘Some Windows Are Blind’, they extend this dialog by creating collaborative works for the outdoor space.
Julia Rodrigues
