John Roebas // PAID POSITION (THE COMPROMISE OF GRIEF)

TILE project space is pleased to present PAID POSITION (THE COMPROMISE OF GRIEF), a solo presentation of John Roebas and the first project belonging to a TILE’s new research program.

The project has been developed for one year through an intense correspondence between the artist and the curatorial board. Messages as well as pictures became tools to register a story’s construction, a narration within which we were acting as characters. Just as reading, expectation and trust pushed us in switching on the pc, checking the mail account so as to force the creation of an unclear ontological space of narration. It’s here that usually characters have presence, building their mass and bodily form by our need to affirm their reality. Umberto Eco told about fluctuant characters: particular entities who we need to believe in, knowing their existence as true, denying any opposite opinion.

In parallel, we started to think of personifying materials, affirming their capacity to act and be witnesses to a story. As recording devices, material becomes informed and therefore the narrative carrying each work. The post-narratives of these materials contain the stories told by stringing them together through the camera’s lense, sealed in a photograph and carried in cold steel vessels. This becomes the greater objecthood of the works.

In particular, the exhibition has been thought of as a semiotic system, where words and materials cohabitate an intimate vignette. In these vignettes everything is conceived to play a character in a personal narrative portrayed in fiction and non-fiction. Although belonging to a fiction, they act out as stand-in examples of a human condition from experience and memory. These memories are personified through the shifting lense of the current perspective of the author. Since these are inanimate role players on a stage in an incomplete world, action is without consequence and time, stagnant. The actors remain the same, never changing, trapped in time. The dream space allows only reflection. The audience, voyeurs, can only be influenced or interpret meaning, for Act I never becomes II.

 

 

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John Roebas PAID POSITION (THE COMPROMISE OF GRIEF), Courtesy Tile Project Space, © John Roebas

 

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