Eyes makes a face, eyes make a face

In his artistic practice Reinier Vrancken (1992, lives and works in Rotterdam) moves in and out of material and immaterial worlds through oblique connections and poetic leaps.
His installations, interventions, objects and artist books test the vague contours of physical and conceptual bodies with lyric attention — their diffusion and plurality in particular forming the subject of artistic address — and become entry points for articulating their underlying kinships.