Lea Rohde, Matthias Meyer, Theo Huber, Ingeborg Gabriel, Tatjana Danneberg, Thomas Baldischwyler & others

Force The Hand Of Chance

Project Info

  • 💙 Conradi
  • 💚 Thomas Baldischwyler
  • 🖤 Lea Rohde, Matthias Meyer, Theo Huber, Ingeborg Gabriel, Tatjana Danneberg, Thomas Baldischwyler & others

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Force The Hand Of Chance, 2024, exhibition view
Force The Hand Of Chance, 2024, exhibition view
Thomas Baldischwyler, o.T. (bilingual transcription of a text by Ingeborg Gabriel), 2024, Collage, 25 x 10 cm
Thomas Baldischwyler, o.T. (bilingual transcription of a text by Ingeborg Gabriel), 2024, Collage, 25 x 10 cm
Force The Hand Of Chance, 2024, exhibition view
Force The Hand Of Chance, 2024, exhibition view
Lea Rohde, o.T. from the series Means of control, 2021, inkjet print, 19 x 29,7 cm
Lea Rohde, o.T. from the series Means of control, 2021, inkjet print, 19 x 29,7 cm
Force The Hand Of Chance, 2024, exhibition view
Force The Hand Of Chance, 2024, exhibition view
Ingeborg Gabriel, o.T. (Pilze), 1994, 85 x 60,5 cm, framed
Ingeborg Gabriel, o.T. (Pilze), 1994, 85 x 60,5 cm, framed
Ingeborg Gabriel, o.T. (Pilze), 1994, 85 x 60,5 cm, framed
Ingeborg Gabriel, o.T. (Pilze), 1994, 85 x 60,5 cm, framed
Force The Hand Of Chance, 2024, exhibition view
Force The Hand Of Chance, 2024, exhibition view
Thomas Baldischwyler, o.T. (Die Doozer), 2023-2024, Acrylic, acetone, MEK paint & PU varnish on stapled corrugated cardboard, 103 x 103 cm
Thomas Baldischwyler, o.T. (Die Doozer), 2023-2024, Acrylic, acetone, MEK paint & PU varnish on stapled corrugated cardboard, 103 x 103 cm
Left: Melissa Sachs und Cameron Soren (Body by Body), reproduction of the invitation card for Freelance Hellraiser, 2014, Interstate Projects, New York, Right: Henri de Toulouse-Lautrec, reproduction Souvenir d'Auteuil (1881), 1967
Left: Melissa Sachs und Cameron Soren (Body by Body), reproduction of the invitation card for Freelance Hellraiser, 2014, Interstate Projects, New York, Right: Henri de Toulouse-Lautrec, reproduction Souvenir d'Auteuil (1881), 1967
Force The Hand Of Chance, 2024, exhibition view
Force The Hand Of Chance, 2024, exhibition view
Nina Simone (TT Remix), NS-TT-SLW-9:42, 2000, single-sided record
Nina Simone (TT Remix), NS-TT-SLW-9:42, 2000, single-sided record
Force The Hand Of Chance, 2024, exhibition view
Force The Hand Of Chance, 2024, exhibition view
Tatjana Danneberg, You only live twice, 2020, ink-jet print, gesso, glue on canvas, 210 x 140 cm
Tatjana Danneberg, You only live twice, 2020, ink-jet print, gesso, glue on canvas, 210 x 140 cm
Chris Reinecke, Left: Dosen, 1996, signed and commented invitation card, Galerie Hundertmark, Köln, Right: KUNST MUSS SEIN, 1970, leaflet
Chris Reinecke, Left: Dosen, 1996, signed and commented invitation card, Galerie Hundertmark, Köln, Right: KUNST MUSS SEIN, 1970, leaflet
Chris Reinecke, Left: Dosen, 1996, signed and commented invitation card, Galerie Hundertmark, Köln, Right: KUNST MUSS SEIN, 1970, leaflet
Chris Reinecke, Left: Dosen, 1996, signed and commented invitation card, Galerie Hundertmark, Köln, Right: KUNST MUSS SEIN, 1970, leaflet
Thomas Bush, The Next 60 Years, Jolly Discs, London, 2024, photocopy of a vinyl record and its cover on wood, 29,7 x 29,7 x 2 cm each
Thomas Bush, The Next 60 Years, Jolly Discs, London, 2024, photocopy of a vinyl record and its cover on wood, 29,7 x 29,7 x 2 cm each
Matthias Meyer, Untitled (Royal Flush), 2010-2022, 5 found cards, 11 x 13 x 3 cm
Matthias Meyer, Untitled (Royal Flush), 2010-2022, 5 found cards, 11 x 13 x 3 cm
Theo Huber, Das Ereignis Der Eindruck, 2023, ink and gesso on wood, 30 x 50 cm
Theo Huber, Das Ereignis Der Eindruck, 2023, ink and gesso on wood, 30 x 50 cm
Harald Cohen, AARON, 2001, screensaver, Kurzweil Cyberart Technologies
Harald Cohen, AARON, 2001, screensaver, Kurzweil Cyberart Technologies
In the German Duden, success is described as the "positive result of an effort" or the "occurrence of an intended, desired effect." According to this definition, success is not a coincidence. Rather, it should be preceded by a goal that a person has set for themselves. But what is success in a field where goals constantly change due to media shifts and fluctuating daily politics? Force the Hand of Chance is a group exhibition featuring original works by Lea Rohde, Matthias Meyer, Theo Huber, Ingeborg Gabriel, Tatjana Danneberg and Thomas Baldischwyler. These works will be surrounded by ephemera, copies and documents from Gee Vaucher, Cameron Soren, Melissa Sachs, Chris Reinecke, Henri de Toulouse-Lautrec, Jack Kirby, Thomas Bush, a screensaver by Harold Cohen, and a Nina Simone remix by a certain TT. Both groups of objects come together to form an installation that could be interpreted as a sprawling transcription of various mathematical sets. It is up to the visitors to make connections between the (also) historical texts and methods of work, to recognize overlaps between original works and edits, or, like Herman Melville's character Bartleby, to refrain from doing so in doubt. This group show was put together by Thomas Baldischwyler, following his solo exhibition An den Rand der Zukunft denken, which was on display in the same space until the end of March. He would like to thank the participating artists, the Nagel-Draxler and LambdaLambdaLambda galleries, but also a number of private collections and above all Ebay, Discogs and ZVAB for their great help.

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