Agata Ingarden, Kate Morgan, Emma Stern
Cheek to the Cliff
26th October – 4th November
salt baking – a methodology, 2/10/18

Julia said “slacken the sails;” yield. Because people,
most people,
most people
some times, are nitwits.
They never use the language that you are looking to hear.
And you go and imprint this into slack mud! – so as this unsteady impression is what lasts.
explicit forms –
of the arms akimbo of
an olive.
a figure in a closed room.
each a product of an observer – some first responder
Things either working in contrast or in concert. Subjects as active intermediaries.
This is preposterous, I —-.
I agree with this, yes. Yes, this such imprecise fostering is correct, such sheltering an appropriate homage.
We move in and out of focus.
Self-framing,
we frame our products,
fashion tonics in bottles of glass, thoroughly manufacture.
our entities have relationships with other entities
which exist outside of ourselves
&
1080 g flour, 400 of table salt seems precise
water to bind to a very smooth dough
celeriac ~2.5 hours whole onion 1 hour
‘large parsnip 40 mins’ &
And a whole celeriac looks like a moon or a misplaced football when it is brought out of the oven.
The author envisioned
text
spelling out on film. The word
interning. interning.
The world
The world, in turning, …
high up a place of refuge low down a place of refuge
low and cheek to the cliff high and up there
&
a sausage on the floor moving, moving,
&
I said, “dramatise it for me.”
For, to foster, fallibility. In order to not let the image speak and that be it.
It was like this: I gave you the theory of the stone – of its crevice and of its surface qualities, and of how it smelled and of how the frothy water licked at it and retreated from it.

Photos: Malcolm Cochrane

Love Unlimited, Glasgow