Archive 2021 KubaParis

All Corners Made To Be Leaned

Exhibition View All Corners Made To Be Leaned 2021
Exhibition View All Corners Made To Be Leaned 2021
Exhibition View with works by Anna Budniewski & Michael Dikta, Arthur Löwen, Leander Kreißl, Sarah Doolan, Anna Hostek, Katerina Matsagkos, Georg Thanner, Katharina Schilling
Exhibition View with works by Anna Budniewski & Michael Dikta, Arthur Löwen, Leander Kreißl, Sarah Doolan, Anna Hostek, Katerina Matsagkos, Georg Thanner, Katharina Schilling
Exhibition View with works by Katerina Matsagkos, Philipp Naujoks, Arthur Löwen
Exhibition View with works by Katerina Matsagkos, Philipp Naujoks, Arthur Löwen
Exhibition View 4
Exhibition View 4
Exhibition View
Exhibition View
Exhibition View
Exhibition View
Sara Rossi, 1.-4. Untitled, 2020, pencil on paper, 330 x 235 mm
Sara Rossi, 1.-4. Untitled, 2020, pencil on paper, 330 x 235 mm
knuddi2000, LILLI large, 2020, fabric, satin, bubble wrap, 40 x 30 x 10 cm
knuddi2000, LILLI large, 2020, fabric, satin, bubble wrap, 40 x 30 x 10 cm
Anna Reutinger ‚I was wrong and I just can't live without you’ 2021 silk, cotton, hair, black beans, avocado pits, iron, steel, faux pearls 140 x 100 x 50 cm
Anna Reutinger ‚I was wrong and I just can't live without you’ 2021 silk, cotton, hair, black beans, avocado pits, iron, steel, faux pearls 140 x 100 x 50 cm
Phung Tien Phan Shoegirl, 2019 HD, no sound, Dimension variable, 2:11min
Phung Tien Phan Shoegirl, 2019 HD, no sound, Dimension variable, 2:11min
Eliza Ballesteros TAUSEND JAHRE SCHEISSE (Jesters End) 2021 (detail) vinyl, latex, wax cord, chrome bells 50 x 70 x 30 cm
Eliza Ballesteros TAUSEND JAHRE SCHEISSE (Jesters End) 2021 (detail) vinyl, latex, wax cord, chrome bells 50 x 70 x 30 cm
Eliza Ballesteros TAUSEND JAHRE SCHEISSE (Jesters End) 2021 vinyl, latex, wax cord, chrome bells 50 x 70 x 30 cm
Eliza Ballesteros TAUSEND JAHRE SCHEISSE (Jesters End) 2021 vinyl, latex, wax cord, chrome bells 50 x 70 x 30 cm
Philipp Naujoks Zu Farn zum Moos 2021 Photochemistry on canvas, pigment, aluminium, machine screw 144 x 104 cm
Philipp Naujoks Zu Farn zum Moos 2021 Photochemistry on canvas, pigment, aluminium, machine screw 144 x 104 cm
Arthur Löwen Index (Blatt 1) 2020 Acryl on paper  40 x 30 cm
Arthur Löwen Index (Blatt 1) 2020 Acryl on paper 40 x 30 cm
Sarah Doolan waylaid (and tangled) 2021 fabric, cardboard, acrylic paint, acrylic glass, polyurethane foam 190 x 145 x 12 cm
Sarah Doolan waylaid (and tangled) 2021 fabric, cardboard, acrylic paint, acrylic glass, polyurethane foam 190 x 145 x 12 cm
Sarah Doolan waylaid (and tangled) 2021 (detail) fabric, cardboard, acrylic paint, acrylic glass, polyurethane foam 190 x 145 x 12 cm
Sarah Doolan waylaid (and tangled) 2021 (detail) fabric, cardboard, acrylic paint, acrylic glass, polyurethane foam 190 x 145 x 12 cm
Leander Kreißl Ohne Titel1  2021 pencil on paper, fly 65 x 50 cm
Leander Kreißl Ohne Titel1 2021 pencil on paper, fly 65 x 50 cm
HULFE Inflation Wallet 2021 velvet, moire, fringed shoulder strap, 34 x 26 cm
HULFE Inflation Wallet 2021 velvet, moire, fringed shoulder strap, 34 x 26 cm
Till Gerhard Hausotte Auf den Feldern fault das Korn 2021  embroidery, acryl on canvas 140 x 165 cm
Till Gerhard Hausotte Auf den Feldern fault das Korn 2021 embroidery, acryl on canvas 140 x 165 cm

Location

Attic Bayenwerft, Kunsthaus Rhenania, Bayenstr. 28, 50678 Cologne, Germany

Date

11.03 –17.04.2021

Curator

Eliza Ballesteros

Photography

Philipp Naujoks

Subheadline

All Corners Made To Be Leaned a Group Show from lockdown to lockdown with participants from Düsseldorf, Cologne, Essen, Frankfurt a.M., Brussels, Wien, Berlin and Leipzig 12. 03. - 18. 04. 2021 Attic Bayenwerft Kunsthaus Rhenania Bayenstr. 28 50678 Cologne Germany invited by Eliza Ballesteros text by Jana Dormann with works by Eliza Ballesteros Anna Budniewski & Michael Dikta Sarah Doolan Jana Dormann Till Gerhard Hausotte Anna Hostek HULFE Leander Kreißl knuddi2000 Arthur Löwen Katerina Matsagkos Philipp Naujoks Phung Tien Phan Sara Rossi Anna Reutinger Katharina Schilling Georg Thanner Lissy Willberg

Text

ALL CORNERS MADE TO BE LEANED a house in a house guarded against the risk of misfitting the body an awl you feel at ease with from time - to the same degree it’s salving you a whole journey took stage, rigidly enforced one might say it might have ended in tragedy, classic catharsis instead here a dwell in negative definiteness just like soaking horse lips insatiably thirsty for a creek - soft and humble, yet vast. why is you house-shaped - is it you are providing a home? 'what is left of home than an utter sense of bleakness, really?' - your solitude venting, it’s still not able to traverse, still hung up on perfect edges though they long since watered down into serpentines. a practice of bottoming from the top, who’s dissent as crucial as its soft-edge don’t hesitate to linger in what’s always slipping and twitching and crouching from your grip sit down on the silkish and watery - just to learn that from this perspective, the necessity of w-questions has dissolved but still the i-question - again: is you already home? is a house shape enough? my dear - we're here harvesting, picking the buttons prepared to intertwine two sides of the same coin you and the arrows that have drawn you slung further to built more home-shaped-hearts. your thoughts endure a frame less frail where all corners are made to be leaned all the in-betweens sowed to sojourn internal spaces all set up to make you both - fugitive and furniture-hermit. sirens strike up an eerie sound, they echo back from our walls like violins. now a time to leave your beloved verge but letting what’s still composing with you stick on your back like bubblegum. no clockwork in becoming, just making yourself house-shaped, home-shaped. a let-go to serenity, my dear since you’ve been weaponized with a warm shoulder. while spiraling down dainty branches of cohesion while now prepared to face your reflection in you, reminiscence is built with oneself its occurrence in every water, every silk, everything specular or written - finally housebroken. frankly, there’s been no anxiety more draining it has even left purple traces on coping-relics - the paperpillar in front of you. still, a thing as worthy as the no - thing there is no matter if you just pretend to be wooden, if you pretend to be fabric while merely being plastic it’s all part of the you - house. however wretched taste it has left in your mouth you've never got to savor a taste more moreish.

Jana Dormann