Archive null KubaParis

SHINING

Installation view SHINING
Installation view SHINING
Konrad Hanke, Doublebind - that empty side, 2020, epoxy, glass, pavement, 105x130xx21cm
Konrad Hanke, Doublebind - that empty side, 2020, epoxy, glass, pavement, 105x130xx21cm
left: Bettina Scholz, Disappearance/Reappearance (nach Deathprod), 2020, Spray Colour, Tint, Acrylic Glass, 232x132cm; right: Konrad Hanke, Doublebind - that empty side, 2020, epoxy, glass, pavement, 105x130xx21cm
left: Bettina Scholz, Disappearance/Reappearance (nach Deathprod), 2020, Spray Colour, Tint, Acrylic Glass, 232x132cm; right: Konrad Hanke, Doublebind - that empty side, 2020, epoxy, glass, pavement, 105x130xx21cm

Location

Galerie Stephanie Kelly

Date

–14.03.2021

Curator

Lucie Klysch, Winnie Seifert

Photography

Kerstin Flasche

Subheadline

BETTINA SCHOLZ, KONRAD HANKE

Text

Surfaces determine our behavior in the world of things. They are what appeals to our imagination and our memory of experience. The superficial is what can be immediately grasped, what is quickly revealed - so it seems. The dissolution of fixed contours and the complex examination of material qualities and surface textures are the essence of the works of Bettina Scholz and Konrad Hanke. They play with the object character and make the surface an essential reference point. The narratives of the sources of inspiration become diffuse scenarios, which allow what is depicted to slide into other levels of association for the recipient. In SHINING, the artists* give us the opportunity to expand our aesthetic experiences, for which today there is hardly any speculative space left.

Michael Klipphahn, Lucie Klysch