Archive 2021 KubaParis

Home Work

Aviva Silverman  Submission Reliquary 2021
Aviva Silverman Submission Reliquary 2021
Absalon  ASSASSINATIONS 1993
Absalon ASSASSINATIONS 1993
Sophie Aigner Oie die Beiden 2021
Sophie Aigner Oie die Beiden 2021
Bianca Kennedy  a new broom sweeps clean, but an old broom knows the corners 2021
Bianca Kennedy a new broom sweeps clean, but an old broom knows the corners 2021
Serena Ferrario  Schnee im Sommer 2021
Serena Ferrario Schnee im Sommer 2021
Thomas Huber  Lager 2021
Thomas Huber Lager 2021
Peter Behrbohm  Triebkeller 2021
Peter Behrbohm Triebkeller 2021
Stefan Demary  Karatekämpfer 2006
Stefan Demary Karatekämpfer 2006
Kerstin Drechsel  sous-sol 2021
Kerstin Drechsel sous-sol 2021

Location

SOX

Date

14.08 –20.11.2021

Curator

Manuel Kirsch

Photography

Marlene Burz

Subheadline

Absalon Sophie Aigner Peter Behrbohm Stefan Demary Kerstin Drechsel Serena Ferrario Thomas Huber Bianca Kennedy Aviva Silverman

Text

Working and living do not merely exist side by side, as work itself has always been inscribed into living: many aspects of it – cooking, cleaning, doing laundry – are in fact unpaid labour. In addition to that the work-life-balance of many residents is askew for which the neoliberal dictum of self-fulfilment is to blame. For the exhibition ‘Home Work’ SOX has invited nine artists. For their contribution they were provided with MDF room boxes designed by Peter Behrbohm to use as display for their works. In the 1960es the architect and visionary Buckminster Fuller dreamt of using ‘mechanized office buildings’ as living spaces since they would be standing empty in the future ‘without wageworkers’. His visions have not yet become reality and artists still must continue learning how to work under restrictions. In the exhibition ‘Home Work’ artists are not only trying to interpret limitations as an opportunity without ever running danger of falling into a calculated optimism that approves of the social conditions. What will happen when artists continue doing their homework but will never be able to hand them in? When will this way of living caught between building stockpiles on the one hand and home-related accidents on the other collapse, when one of the vanishingly small advantages of downsizing is having to check less often whether there is something burning inside the ashtray and the light is switched off?

Norbert Bayer