Archive 2020 KubaParis

Pyro Bodies

Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerate, Detail
Kristin Weissenberger, Conglomerate, Detail
Kristin Weissenberger,Installation view, mycelium objects
Kristin Weissenberger,Installation view, mycelium objects
Kristin Weissenberger, mycelium object
Kristin Weissenberger, mycelium object
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Pyro Bodies, Installation View
Kristin Weissenberger, Conglomerates, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerates, Ceramics, Mixed Media
Kristin Weissenberger, mycelium object
Kristin Weissenberger, mycelium object
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media
Kristin Weissenberger, Conglomerate, Ceramics, Mixed Media

Location

New Jörg

Date

02.09 –10.09.2020

Curator

as a contribution to the independent exhibition-programme Pappenheimgasse 37

Photography

Janine Schranz

Subheadline

A series using mycelium and ceramics

Text

The sculptural series Pyro Bodies has been inspired by findings of pyroplastic pebbles on a beach in Milos, Greece, in 2019. Plastiglomerates or pyroplastics are amalgams of natural debris and burnt plastic waste, of human origin. Eroded by the elements pyroplastics get a stone like appearance, like something geological. This process of formation brings up questions about authorship and agency. Agency cannot be reduced to single entities, no matter if human or non-human, but it can be interpreted through networked interactions of human and non-human actors and actants. In analogy to the formation of pyroplastics stoneware, earthenware, glass, stones or metal are melted together into material-semiotic composites. The mycelium objects, preserved by heat after processes of nurturing and growth, explore the same questions concerning authorship and agency and ask in what way material-semiotic interactions influence our morality, ethics and politics, since mycelium is seen as a sustainable substitute for plastics. Pyro Bodies is also a speculation about what could possibly be found on future beaches.

Kristin Weissenberger