kubaparis studio sh
Archive 2022 KubaParis

Skin & Desire

_1_ Alfons Knogl, Pool (Black) 2022, Polyester, print on sandals, 30 x 30 x 10 cm Alfons Knogl, Sleeveless (Black) 2022, Polyester, print on forex, 29 x 19 x 3 cm
_1_ Alfons Knogl, Pool (Black) 2022, Polyester, print on sandals, 30 x 30 x 10 cm Alfons Knogl, Sleeveless (Black) 2022, Polyester, print on forex, 29 x 19 x 3 cm
_2_Skin & Desire_installation view
_2_Skin & Desire_installation view
_3_ Alfons Knogl, Pool (Black) 2022, Polyester, print on sandals, 30 x 30 x 10 cm
_3_ Alfons Knogl, Pool (Black) 2022, Polyester, print on sandals, 30 x 30 x 10 cm
_5_TransGena, Insane Virtuality, 2004, analogue photo collage, 59,5 x 42 cm
_5_TransGena, Insane Virtuality, 2004, analogue photo collage, 59,5 x 42 cm
_6_TransGena, Happiness and back.., 2004, analogue photo collage, 59,5 x 42 cm
_6_TransGena, Happiness and back.., 2004, analogue photo collage, 59,5 x 42 cm
_7_TransGena, Sands play Sole ., 2004, analogue photo collage, 59,5 x 42 cm
_7_TransGena, Sands play Sole ., 2004, analogue photo collage, 59,5 x 42 cm
_8_TransGena, untitled, 2006, analogue photography, 10 x 15 cm
_8_TransGena, untitled, 2006, analogue photography, 10 x 15 cm
_9_ Alfons Knogl, Precondition (Lighter), 2021, Polyester
_9_ Alfons Knogl, Precondition (Lighter), 2021, Polyester
_10_Skin & Desire_installation view
_10_Skin & Desire_installation view
_11A_TransGena, untitled, 2006, analogue photo collage, 50 x 70 cm
_11A_TransGena, untitled, 2006, analogue photo collage, 50 x 70 cm
_15_Alfons Knogl, Precondition (Marker), 2021, Polyester
_15_Alfons Knogl, Precondition (Marker), 2021, Polyester
_19_Alfons Knogl, Precondition (Shaver) 2021, Polyester
_19_Alfons Knogl, Precondition (Shaver) 2021, Polyester

Location

mental space HR1

Date

23.06 –13.08.2022

Text

‘Skin and Desire’ exhibition at mental space HR1, includes a body of small-scale polyester sculptures that were born out of a period of production during 2021 at Alfons Knogl studio in Cologne. Amorphic shaped objects are connected to the casted objects of use. The appearance of these sculptures is reminiscent of totems from the future. The strong figurative presence of the human body in a modified condition dominates the current presentation. TG’s never before shown pornographic photo collages are mixed with earlier works from 2004, which are at once comic and dark, perverse and serious, grotesque and simply sexy.