Submission
Jordan Derrien, Antoine Duchenet

BONJOUR (the situation is not new)

ArtLacuna (London, UK) and W (Pantin, FR) are proud to announce the opening of BONJOUR (Stockings, shoes, hairpins) and BONJOUR (The situation is not new), two exhibitions simultaneously curated by Claudia Dance-Wells, in London, and Marie Gautier, in Pantin ; presented works are from Jordan Derrien and Antoine Duchenet. In collaboration with ArtLacuna (London, UK).


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Jordan Derrien, Antoine Duchenet, exhibition view at W, Pantin.
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Jordan Derrien, getting under the hood of a car and getting yourself dirty, 2020, Wood, paint, glue, fabric, 60x84 cm ; idiot Disneyland, 2021, Wood, paint, 20x30 cm.
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Antoine Duchenet, Sans titre, Aperture (serial), 2020-2021, Acrylic on cardboard, 30 cm diam.
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Jordan Derrien, Star light, Moon bright. Will I save my life tonight? 2021,Wood, paint, 20x30cm and FUCK THE TELEPHONE COMPANY, 2020, Wood, paint, glue, 60x84 cm.
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Jordan Derrien, getting under the hood of a car and getting yourself dirty, 2020 ; Star light, Moon bright. Will I save my life tonight? 2021 ; FUCK THE TELEPHONE COMPANY, 2020.
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Antoine Duchenet, Details of Dazzling Migelo, 2021, selected objects on chromed display, 185x185x200 cm.
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Antoine Duchenet, Dazzling Migelo, 2021, selected objects on chromed display, 185x185x200 cm.
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Antoine Duchenet, Dazzling Migelo, 2021 ; Sans titre, Aperture (serial), 2020-2021, Acrylic on cardboard, 30 cm diam.
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Jordan Derrien, Antoine Duchenet, exhibition view at W, Pantin.
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Jordan Derrien, FUCK THE TELEPHONE COMPANY, 2020, Wood, paint, glue, 60x84 cm.
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Jordan Derrien, Star light, Moon bright. Will I save my life tonight?, 2021, Wood, paint, 20x30 cm.
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Jordan Derrien, idiot Disneyland, 2021, Wood, paint, 20x30 cm.
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Jordan Derrien, getting under the hood of a car and getting yourself dirty, 2020, Wood, paint, glue, fabric, 60x84 cm.
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Jordan Derrien, George Viorel, the higher the ground, the higher the income, 2020, Wood, paint, 45x60 cm.
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Jordan Derrien, YOU, THE CAT UP THERE WITH THE FUZZ ON YOUR FACE AND THE GROOVY WHITE CAFTAN, 2021, Wood, paint, 20x30 cm.
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Jordan Derrien, Philip was the name I always used, 2021, Wood, paint, 20x30 cm.

An ambiguous silhouette is composed by duplication, twinning and recurrences, during this counterpoint show called BONJOUR distributed between two cities. Although Stockings, shoes and hairpins obviously conceals and contains the pairing leitmotiv at the source of this project, The situation is not new echoes and doubles this last. It strives, so to speak, on provoking reverberation.

Jordan Derrien will be presenting a new series of canvases, amongst ready-made and paintings, surfaces and objects. He manipulates different types of wood, textures and door handles to create, as final composition, a drawer. The handle transmutes the seeming abstract painting into a piece of furniture with haptic virtues.

Antoine Duchenet will reveal recent sculptures from his Intarsia series. Structured by means of orthogonal units of representation adjusted to the different elements they contain, these squared volumes are made of chromed steel tubes and are built as stands for all kinds of arrangements. They present, align and organize, with the schematic rigor of a diagram, a selection of clearly new and very slick shapes, open to a fluid gaze. For these purely accessory objects matters mostly silhouette, profile and contours, they obey a protruding stillness.