Catherine Biocca ‘Unfasten Seat Belt’

A ‘cotton candy’ pink floor attacked with knives and hypodermic syringes, doodle-like subtle drawings of brutal gures and events depicted on domestic surfaces, and cartoonesque animations set out a seductive yet ‘unheimisch’ landscape within Catherine Biocca’s solo exhibition at the gallery entitled ‘Unfasten Seat Belt’.

This diverse and often unfamiliar use of media, harmless and cheerful animated gures executing the most painful events, and loosely drawn gures depicting hidden violent fantasies that can pop up when deeply frustrated, characterize the artist’s work. Masochistic themes and behaviour that is merged into the contrary aesthetic of the safe heaven. Within her art practice Catherine Biocca is interested in this dark side of the ordinary, or to put it in other words the momentum where brutality and pure innocence meet and can co-exist. The split second when ‘schadenfreude’ is created; when we laugh about and enjoy the metal or physical pain of others.

Although Biocca sets out an unfamiliar stage of the absurd to articulate the latter, she simultaneously taps into an important art historical debate on form and content. On how art can create a leisure-like and deeply aesthetic experience whilst depicting the most brutal events – often emphasized by Biocca’s direct references to scenes from greek and roman mythology.

 

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Good spirits (2016), Site specific installation, expanded foam panels, syringes and knifes, dimensions variable

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Good spirits (2016), Site specific installation, expanded foam panels, syringes and knifes, dimensions variable

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Good spirits (2016), Site specific installation, expanded foam panels, syringes and knifes, dimensions variable

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Sad in Venice (2016), video and audio installation, screen on screen-holder stand, industry marker and spray paint on wax cloth, aluminium pipes, flag holders, dimensions variable

 

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Sad in Venice (2016), video and audio installation, screen on screen-holder stand, industry marker and spray paint on wax cloth, aluminium pipes, flag holders, dimensions variable

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Exhibition view

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Double C Corporate Clay (2016), video and audio installation, metal rack, pvc print, screen and active speakers, 280 x 200 x 150 cm

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detail

Jeanine Hofland is an international operating gallery that represents and promotes the work of artists working in a diverse range of media.

All images: © Sander Tiedema

Jeanine Hofland
Catherine Biocca
‘Unfasten Seat Belt’
4 June-9 July 2016
De Clercqstraat 62
1052 NJ Amsterdam