Archive 2021 KubaParis

chasing another tomorrow

Installation view chasing another tomorrow, max goelitz, 2020 | Photo: Dirk Tacke
Installation view chasing another tomorrow, max goelitz, 2020 | Photo: Dirk Tacke
Installation view chasing another tomorrow, max goelitz, 2020 | Photo: Dirk Tacke
Installation view chasing another tomorrow, max goelitz, 2020 | Photo: Dirk Tacke
Haroon Mirza, Standing Stones, 2015, Collaboration with Mattia Bosco | Photo: Dirk Tacke
Haroon Mirza, Standing Stones, 2015, Collaboration with Mattia Bosco | Photo: Dirk Tacke
Haroon Mirza, Standing Stones, 2015, Collaboration with Mattia Bosco | Photo: Dirk Tacke
Haroon Mirza, Standing Stones, 2015, Collaboration with Mattia Bosco | Photo: Dirk Tacke
Keith Sonnier, Double Loop, 1989 | Photo: Dirk Tacke
Keith Sonnier, Double Loop, 1989 | Photo: Dirk Tacke
Natacha Donzé, Untitled, 2021 | Photo: Dirk Tacke
Natacha Donzé, Untitled, 2021 | Photo: Dirk Tacke
Natacha Donzé, Untitled, 2021 | Photo: Dirk Tacke
Natacha Donzé, Untitled, 2021 | Photo: Dirk Tacke
Neïl Beloufa, Bottles and Cans on Red, 2019 | Photo: Dirk Tacke
Neïl Beloufa, Bottles and Cans on Red, 2019 | Photo: Dirk Tacke
Neïl Beloufa, Bottles and Cans on Red, 2019 | Photo: Dirk Tacke
Neïl Beloufa, Bottles and Cans on Red, 2019 | Photo: Dirk Tacke
Installation view chasing another tomorrow, max goelitz, 2020 | Photo: Dirk Tacke
Installation view chasing another tomorrow, max goelitz, 2020 | Photo: Dirk Tacke
Haaron Mirza, OxyContin, 2019 | Photo: Dirk Tacke
Haaron Mirza, OxyContin, 2019 | Photo: Dirk Tacke
Keith Sonnier, Signal, 1978 | Photo: Dirk Tacke
Keith Sonnier, Signal, 1978 | Photo: Dirk Tacke
Natacha Donzé, Digestive Rug, 2020 | Photo: Dirk Tacke
Natacha Donzé, Digestive Rug, 2020 | Photo: Dirk Tacke
Natacha Donzé, Digestive Rug, 2020 | Photo: Dirk Tacke
Natacha Donzé, Digestive Rug, 2020 | Photo: Dirk Tacke

Location

max goelitz

Date

01.07 –30.08.2021

Photography

Dirk Tacke

Subheadline

The international group exhibition chasing another tomorrow with works by Neïl Beloufa, Natacha Donzé, Haroon Mirza and Keith Sonnier is devoted to questions about different visions of the future and the respective effects of technology on humankind and the present day.

Text

Back in the 1970s, there was still a positive and shiny image of the future. In the present, a notable loss of confidence in the positive effects of technical progress has begun to inspire alternative, artistic future scenarios. The exhibition reveals this through an extended recourse to nature, the abstraction of pop-cultural references and the thematization of communication, architecture and power structures, resulting in a complex interplay of technical components, geometric shapes and natural elements. The gallery is transformed into a kind of mystical landscape in which natural and technoid elements enter into a dialogue and manifest an alternative vision of our future.

Madeleine Freund