Submission
Group Show

In Excess

Genevieve Belleveau, Federica Dauri & Hermes Pittakos, Gestalta & Dasniya Sommer, Steven Harwick, Rosie Hastings & Hannah Quinlan, Vika Kirchenbauer, Reba Maybury, Peaches, Elle Pérez, Sacred Sadism Scenography by Celeste Burlina


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Steven Harwick, RAWHiDE, 2021, video and installation
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Peaches, Taboobs, 2021, Staged Banner, Truss, Chain, Clamps, Cuffs, Light Programming
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Federica Dauri, Hermes Pittakos, and Peaches, The Shape of Things to Cum, 2019/2021, silicone, latex, performance
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Vika Kirchenbauer, THE ISLAND OF PERPETUAL TICKLING, 2018, multimedia installation
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Gestalta and Dasniya Sommer, flux nX cusp, 2021, performance
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Reba Maybury, Violation Mirrors, 2020/2021, 3 printed mirrors, each 150 x 150 cm
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Hannah Quinlan and Rosie Hastings, In My Room, 2020, Installation
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Elle Pérez, pull, 2020/2021, belt, 2020/2021, t, 2018, open ground, 2021, Charles with blood, 2021, Flower, 2021, photographs, each 76.2 x 111.76 cm
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Sacred Sadism, Spiked!, 2021, Mixed media, salvaged elm, zinc alloy, plastic pine bough, poster print, salvaged log Dimensions variable, Genevieve Belleveau, POV: You Disgust Me, 2021, Video, 7:26 mins
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Sacred Sadism, Spiked!, 2021, Mixed media, salvaged elm, zinc alloy, plastic pine bough, poster print, salvaged log Dimensions variable

“In Excess” understands itself as an intimate image, a template for interpreting connection, exploring sexual power relations and the sensory experience of our present through BDSM. Curated by Creamcake and happening as part of the seventh 3hd “Power Play” edition, the group exhibition features nine artists, collectives and collaborations who negotiate convention through the consensual practice of sadomasochism and play. It subversively or progressively embraces taboos and the desire for transgression and contradiction, as well as a longing for a loss, or conscious relinquishment of control.

Cruising the infinite approaches to BDSM and its many loaded symbols, forms, and experiences, “In Excess” publicly engages and pushes boundaries, subverting existing social norms through photography, video and sculpture; installation, performance, and site activations. The works in the exhibition focus on the aesthetics of lust, while imagining notions of dominance and submission, softness and hardness, power and surrender, action and passivity, where each encounter makes visible the potent sensuality that’s generated outside of the mainstream.