EMOZIONALE

Pull-in.
Squeezed together around the table, balancing on these hopeless plastic seats, all drinking shan-
dies, with coasters placed on top of our glasses. It’s that time of the season. Everyone but him
orders the only vegetarian dish on the menu. He’s eating some kind of rotisserie meat, served on
a handcrafted spear-like piece of cutlery. I know of his fondness for forged artefacts and comment
on it. She steals it for me, without the need for me to ask for it. First leaving it under the table for
a while, then slipping it under her dress as we all walk back to the car. The size of the parking lot
testifies to the feeling of hope there must once have been about a future costumer base.
Moving again.
From behind the wheel he makes fun of me for sitting there like a princess with that sceptre in my
hand, gazing out the window at the moving mountains. In slow motion I turn my head to the left.
Stop it.

Afterword
A. Lia Orsi again as P. Wächtler;
I wish I had saved up some of the energy I spent on all these
useless talks with useless figures and characters of no importance,
in order to manage these final metres back home

 

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Installation view “EMOZIONALE“, Milan, 2016

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Installation view “EMOZIONALE“, Milan, 2016

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Installation view “EMOZIONALE“, Milan, 2016

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Installation view “EMOZIONALE“, Milan, 2016

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Eugen Wist, “soon it‘ll fit“, 2013

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Laurids Oder, “untitled“, 2016

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Eugen Wist, “Ascher (corals), 2016 Samuel Linus Gromann, “Banca d‘Italia“, 2016

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Johanna Odersky, “with a wink of the eye *look at this* only then can we begin to speak“, 2016

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Johanna Odersky, “with a wink of the eye *look at this* only then can we begin to speak“, 2016

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Lukas Kaufmann, “MARINA“, 2015

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Anna Hostek, “recent hug“, 2016

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Julija Zaharijević, “drawings for emozionale“, 2016

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Laurids Oder, “444“, 2016

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Emmanuel Troy, “untitled“, 2016

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Lukas Kaufmann, “Panel I “, “Panel II“, “Panel III“, 2016

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Tim Hartmann, “untitled“, 2016

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Samuel Linus Gromann, “Untitled or (Chelsea Grin)“, 2016

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Marina Sula, “Maybe Tomorrow“, 2015

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Marina Sula, “Not Enough“, 2015

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Birke Gorm, “move (from the marrow to the bone, from the bone to the muscle, from the muscle to the skin, from the skin to the hair, and from the hair) away from here“, 2016

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Felizitas Moroder, “play me, save me, leave me“, 2016

Indefinite Images Defined Muscles from Julija Zaharijevic on Vimeo.

 

A one-day exhibition in MIlan
Via Cesare Balbo, 32
Opening: 6th February 2016
Invited by Antonia Lia Orsi