Check XXe
Bending Binding, Adam Cruces, Antoine Donzeaud, Matthieu Haberard, Antone Konst, Hubert Marot, Quintessa Matranga, Yannick Val Gesto
Opening 25.04.15
Exhibition April 25th – May 9th / 0pen Thu – Sat / 11am – 5pm + by appointment info@afterhowl.com
After Howl Rue Vanderstraeten, 33, 1080 Molenbeek Saint-Jean, Bruxelles
Check
A coded word that brings attention to the fact that someone in the vicinity is making a move on the opposite sex (without being obvious). The move being made may be overt, subtle, physical, flirting etc. Checks are usually done to embarrass the parties involved.
Advanced users may make a more complex coding system such as check-plus, check-minus, j-check, s-check etc which may be user defined.
When Jay saw Frank talking up the hot new professor, he shouted, «Check!»
As in «You’re right.» Or, «I agree with that.» Used with a hand signal where you make a check mark in the air with your index finger. The more you agree, the bigger and more exaggerated the hand signal. Can almost be used without saying the actual word, just the signal itself.
Coretta: «That girl over there is a skanky hobag.»
Jeanetta: (While making a check mark in the air with her finger) «Check!»
When you are so fat that your chin and your neck converge into one.
Man, look at the Check on that no-neck fatty!
XXe
Le 20e arrondissement est le dernier des vingt arrondissements de Paris. Il est situé sur la rive droite de la Seine. Il est bordé au nord par le 19e arrondissement, à l’est par les communes des Lilas, de Bagnolet, de Montreuil et de Saint-Mandé, au sud par le 12e arrondissement, à l’ouest par le 11e.
Belleville, Couronnes, Ménilmontant
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Check XXe, 2015, After Howl, Brussels – Installation views
Bending Binding, Kooling Systems (Marilyn), 2015 Radiator, 60 x 48 cm
Bending Binding, Kooling Systems (Lift up skirts), 2015 Radiator, 70 x 40 cm
Bending Binding, Kooling Systems (Spongebob), 2015 Plastic, candy, cooling liquid, 40 x 20 x 10 cm
Bending Binding, Kooling Systems (Whirlwind), 2015 Neon, transformer, 27 x 35 x 8 cm, ø11mm
Check XXe, 2015, After Howl, Brussels – Installation views
Adam Cruces Rain, 2012, Digital video, 30 sec., continuous loop
Adam Cruces Black Hole, 2014, Digital video, 5 min. 43 sec., continuous loop
Antoine Donzeaud, Ordinary Objects for Common Use (Couch), 2015 Silkscreen print and aerosol paint on tarp, wood, 240 x 140 cm
Matthieu Haberard, Screen, where the touch, is a real sensation, 2015 Wood, epoxy, acrylic, 70 x 43 cm
Matthieu Haberard, Your time is running out, 2015 Wood, electric cable, 50 x 45 x 40 cm
Matthieu Haberard, Your time is running out, 2015 Wood, electric cable, 50 x 45 x 40 cm
Matthieu Haberard, Stephane; They took our…, 2015 Steel, plexiglas, acrylic on canvas, electric, cable Dimension variable
Matthieu Haberard, Marcel; Where the bulbs are?, 2015 Steel, plexiglas, acrylic on canvas, electric cable, Dimension variable
Matthieu Haberard, Combine painting, 2015 Cans, water, Dimension variable
Antone Konst, Prayer (Moyen_age), 2015, Oil, flashe, nail polish, stickers, ceramic tile on panel, aluminum and plaster stand, 190 x 150 x 50 cm
Antone Konst, Marinetti (Mscl_mn), 2015, Oil, flashe, nail polish, stickers, ceramic tile on panel, aluminum and plaster stand, 200 x 150 x 50 cm
Antone Konst, Sax (Sérénade), 2015, Oil, flashe, nail polish, stickers, ceramic tile on panel, aluminum and, plaster stand, 200 x 150 x 50 cm
Hubert Marot, LW 1, 2015, Cyanotype, spray paint, gallic acid on canvas, 198 x 80 cm
Quintessa Matranga, In the Walnut Part 2, 2015, Inkjet print on paper mounted on wood, 21 x 29,7 cm
Quintessa Matranga, Cynical Orange, 2015, Inkjet print on paper mounted on wood, 21 x 29,7 cm
Quintessa Matranga, The White Rabbit’s Well, 2015, Inkjet print on paper mounted on wood, 21 x 29,7 cm
Yannick Val Gesto, (Mikcey Surprise), 2014, Digital collage, 3D render semi-transparent print on brushed aluminium, dibond (4mm), aluminium profile, 120 x 80 cm
Yannick Val Gesto, (Soul Protection), 2014, Digital collage, 3D render semi-transparent print on brushed aluminium, dibond (4mm), aluminium profile, 120 x 80 cm
Yannick Val Gesto, (Positive Thinking), 2014, Digital collage, 3D render semi-transparent print on brushed aluminium, dibond (4mm), aluminium profile, 120 x 80 cm
All images © Exo Exo