Submission
Group Show

The exhibition includes works by Arhun Aksakal & Clara Maria Blasius, Lydia Ericsson Wärn, Béla Feldberg, John Hussain Flindt, Malte Niels Möller and Isabell Ratzinger.


<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Installation view, Floor Space Index, 5-8/5/2022, Hohenstaufenstrasse 8 Backyard, Frankfurt am Main
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Lydia Ericsson Wärn, Trace Evidence, 2022, oil on sewn canvas, 195x160 cm
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Béla Feldberg, Untitled, 2021, b/w print, artist frame, 30x20 cm
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Isabell Ratzinger, Schuhe, 2017, ten pairs of men's business shoes, rope, rims, steel, 370x80x28 cm
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Malte Niels Möller, Decken müssen gestützt werden, sonst fallen sie über einem zusammen. Stecken Sie doch bitte Ihren Kopf hier zwischen. Danke., 2021, soy wax, beeswax, carnauba wax, pigments, transparent adhesive tape, 5x4 cm
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Béla Feldberg, Untitled (air conditioner), 2021, plaster, found objects, building boards, cable ducts, roof battens, 53x53x210 cm
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Malte Niels Möller, Schwebend aufeinander Fallen, 2020-2021, parquet, spit of various people, polishing wax, MDF, screws, 60x40x3 cm
<br />
<b>Warning</b>:  Illegal string offset 'alt' in <b>/homepages/8/d512831531/htdocs/KubaParis/wp-content/themes/kubaparis-theme/single.php</b> on line <b>130</b><br />
h
Arhun Aksakal & Clara Maria Blasius, Screen 1974, 2022, restored PVC screen, aluminum frame, 300x300x3 cm

Evaporating and drying up, fading and reverberating, remembering and anticipating, holding on and letting go.

Change is a process or event, it presupposes passing time. Time passes—but it also lasts. Duration describes continuity and continuous change, it marks both a succession
of situations and their coexistence. Enduring means an indefinite time, but duration is a specific period of time, a space of time.

Attempts to understand temporal phenomena, to imagine them, are mostly based on spatial figures of thought. One after the other becomes one behind the other, hours become steps. Spatiality is supposed to make temporality tangible.

Spaces themselves are to be measurable. Multi-dimensional
spaces of experience are marked with dimensionless index numbers. External dimensions of a state are measured. The moment itself is then marked in a static juxtaposition and placed in a supposedly linear context.

Traces testify to the constant, constantly transforming process of change. They are time signs of past states, indices and indications. In them, certain forms can be recognized and temporal differences discerned.

Stains and patches, seams and scars, rubble and spittle, streaks and salt crusts.

Tracing quiet marks, listening to the breath of the building.