Archive 2022 KubaParis

Forest of Metal Whispers

Mauro Ventura, Infinity Gates (Mystic rmx), 2022, Galvanized steel, candles, 50 x 36 x 20 cm
Mauro Ventura, Infinity Gates (Mystic rmx), 2022, Galvanized steel, candles, 50 x 36 x 20 cm
Mauro Ventura, Forest of Metal Whispers, Exhibition view at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal whispers, 2022, Oil on canvas, 600 x 600 (triptych), 200 x 200 (each)
Mauro Ventura, Forest of Metal whispers, 2022, Oil on canvas, 600 x 600 (triptych), 200 x 200 (each)
Mauro Ventura, Forest of Metal Whispers, Exhibition view 2 at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view 2 at Duarte Sequeira Project Space
Mauro Ventura, Curaga, 2022 Galvanized steel, 74 x 74 cm
Mauro Ventura, Curaga, 2022 Galvanized steel, 74 x 74 cm
Mauro Ventura, Forest of Metal Whispers, Exhibition view 3 at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view 3 at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view 3 at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view 3 at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view 4 at Duarte Sequeira Project Space
Mauro Ventura, Forest of Metal Whispers, Exhibition view 4 at Duarte Sequeira Project Space
Mauro Ventura, Gisberta, 2022 Rusted steel, galvanized steel and rope
Mauro Ventura, Gisberta, 2022 Rusted steel, galvanized steel and rope

Location

Duarte Sequeira, Project Space

Date

24.03 –27.05.2022

Curator

Despoina Tzanou

Photography

Filipe Braga

Subheadline

Following a 2-week Residency at Duarte Sequeira, Mauro Ventura creates a new series of works for his solo exhibition at the Project Space of the Gallery. In this presentation, the artist approaches spirituality as a symbolic pathway for imagining different worlds and possibilities into reality, while engaging with visible and invisible entities, in order to demonstrate how we tend to demonize things.

Text

Using the method of collage as a starting point, the interdisciplinary practice of Mauro Ventura evolves across painting, sculpture, installation and performance. Their investigation asserts itself on the research of ancient languages that study the occult, proposing a hyperreality or a parallel video-game like melting pot of syncretism. These virtual realities indulge in ritualesque-like actions and ways of painting that question formats with the aim to transform social structures. Demons are a recurring motif in Ventura´s practice, used as a means to explore the duality of things, invoking two opposite spheres of life and exploring the polarities of light and dark, visible and invisible, good and evil, presence and absence. Here, the artist creates a narrative in which shape-shifting figures that linger as remnants of the past, serve as portals to bring the past, the present and the future into life. While in past eras, the presence of magical figures and creatures were ascribed an evil character and became targets throughout history, here Ventura offers a way of looking at witchcraft, alchemy and spirituality by reframing these characters in a contemporary way that embraces transhumanist values. The exhibition focuses on spirituality as a symbolic pathway for imagining different worlds and possibilities into reality and engages with visible and invisible entities in order to demonstrate how we demonize things.

Despoina Tzanou