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CHAPTER II: BADEN-BADEN

Trin Alt Alex Djidjewdjew Zuza Golińska Bernhard Holaschke Julia Jachowicz Magdalena Los Pablo Schlumberger


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Alex Djidjewdjew, the wind is so strong he carries your words away (gekränktes Holz), various dimensions, 2019
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Pablo Schlumberger, Éducation Sentimentale, Oil and fabric on wood, 60x40 cm, 2020
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Bernhard Holaschke, both fields, mixed media, various dimensions, 2020
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Julia Jachowicz, bones, glazed ceramics, various dimensions, 2019
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Magdalena Los, Esau Trades His Birthright For A Bowl Of Soup, UV-Print on acrylic, digital painting after the eponymous glass painting of the cloister convent Mariawald, Victoria&Albert Museum, London, 42.0x59.4 cm, 2020
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Zuza Golińska, Lactarius (Series), glazed ceramics, various dimensions, 2020
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Trin Alt, Monster Energy,21x15 cm, paint marker on paper, 2020
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Alex Djidjewdjew, the wind is so strong he carries your words away (gekränktes Holz), various dimensions, 2019
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Trin Alt, Crazy Wolf, 21x15 cm, paint marker on paper, 2020
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Julia Jachowicz, bones, glazed ceramics, various dimensions, 2019
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Pablo Schlumberger, Éducation Sentimentale, Oil and fabric on wood, 60x40 cm, 2020
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Zuza Golińska, Lactarius (Series), glazed ceramics, various dimensions, 2020
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Magdalena Los, Esau Trades His Birthright For A Bowl Of Soup, UV-Print on acrylic, digital painting after the eponymous glass painting of the cloister convent Mariawald, Victoria&Albert Museum, London, 42.0x59.4 cm, 2020
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Bernhard Holaschke, both fields, mixed media, various dimensions, 2020

Around 2000 years ago, the Romans were riding along the Upper Rhine Plain to expand their empire. The Black Forest was to pass, and a suitable occasion had to be found. Seduced by the hot waters that gush from the deep earth, the Romans settled to build a bath-bath at this gate to the woodz. AQUAE, where mother earth is sweating and is heating up the coldest nights.
The times ate the Romans but were blocked by branches rich of leaves that kept the myths over centuries and will hide the secrets of the black forest from curious gazes for its wife, the eternity.
Circling around, streaming for nothing, the blackest nights are dreamed under the trees that whisper the universe’s codes and provide shelter to the stories that are never to be found true or false.
Beyond the categories of the Roman minds, the second chapter of Garden Cult Triennale plays at one of the gates to this forest aforementioned.