Submission
Goda Palekaitė (Lithuania), Antanas Gerlikas (Lithuania), Liudmila (Milda Januševičiūtė ir Miša Skalskis) (Lithuania) and the duo Pakui Hardware (Lithuania), Paloma Proudfoot (UK), Anna Reutinger (Germany/USA), Anni Puolakka (Finland), and Josefin Arnell (Sweden/Netherlands)

Swans, Torsos, Holograms

Swans, torsos and holograms are characters and spaces that encounter each other at the same time in the same exhibition, and have woven a new spiderweb of significations. Actual spiderwebs, as well as horseshoe crabs, icicles and dancing lamps, can be found there. The exhibition acts like a film trailer that concisely and dynamically highlights Editorial’s programme and its represented artists. The yearly exhibition-event, dedicated to supporting the activities of the coming year, is happening for the third time; it invites visitors not only to touch the exhibits, but also to take home the ones that ‘stick’ to them the most. Goda Palekaitė (Lithuania), Antanas Gerlikas (Lithuania), Liudmila (Milda Januševičiūtė ir Miša Skalskis) (Lithuania) and the duo Pakui Hardware (Lithuania), Paloma Proudfoot (UK), Anna Reutinger (Germany/USA), Anni Puolakka (Finland), and Josefin Arnell (Sweden/Netherlands) Exhibition architecture: Ona Juciūtė


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Group show Swans, Torsos, Holograms, 2021. Exhibition view at Editorial.
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Pakui Hardware, Fossil Fluent. Glass, silicon, chia seeds, 2021
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Anni Puolakka, Oestrus (self-portrait 1). Giclée printing, 2021
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Goda Palekaitė, How to Cook a Dinosaur. Giclée printing, screen printing, 2021
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Josefin Arnell, Fight. Lenticular printing, 2021
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Anna Reutinger, Bee Festoon, Creeping Thistle. Glass, copper, brass, chain, 2021
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Liudmila (Milda Januševičiūtė, Miša Skalskis), Untitled. Glass, marble, 2021
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Paloma Proudfoot, Brooch II. Ceramics, glaze, 2021
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Antanas Gerlikas, Flash. Giclée printing, 2021
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Paloma Proudfoot, Brooch I. Ceramics, glaze, 2021
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