Submission
Group Show

four walls, shared beds

with Anita Semadeni, Cyril Tyrone Hübcher, Matthias Holznagel and Rafael Jörger


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From left to right: Anita Semadeni, When Bessie dreams. Bessie die Kuh., 2021, dyed silk and hazelwood, 138 x 230 cm; Anita Semadeni, Cyril Tyrone Hübscher, Matthias Holznagel, Rafael Jörger, shared bed, 2021, 
dimensions variable; Anita Semadeni
, two women taking a bath #2, 2020, 
acrylic, encaustic and photograph on cotton, 55 x 40 cm
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Anita Semadeni, When Bessie dreams. Bessie die Kuh., 2021, dyed silk and hazelwood, 138 x 230 cm
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Anita Semadeni, Cyril Tyrone Hübscher, Matthias Holznagel, Rafael Jörger, shared bed, 2021, 
dimensions variable
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From left to right: Matthias Holznagel, Vorhänger, 2020, oil on canvas
, 24 x 30 cm, Cyril Tyrone Hübscher, ballenberg-scenario I, 2021, mixed media
, 19 x 20 x 29 cm; Cyril Tyrone Hübscher, ballenberg-scenario II, 2021, mixed media, 
16 x 41 x 23.5 cm, Matthias Holznagel, Gebüsch, 2020
, oil on canvas
, 19 x 23 cm; Cyril Tyrone Hübscher, ballenberg-scenario III, 2021, mixed media
, 20 x 17 x 20.5 cm; Matthias Holznagel & Rafael Jörger, 
fluid ideas (All the things you said running through my head), 2021, 
red shopping bag, schnur, glaced ceramik, metal butterfly, oil, fruitbox, cans, found objects, knive, pappmachee, waxed wire object
, dimensions variable
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Cyril Tyrone Hübscher, ballenberg-scenario I, 2021, mixed media
, 19 x 20 x 29 cm
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Matthias Holznagel & Rafael Jörger, 
fluid ideas (inventar), 2021, 
red/black shopping bag, wooden box, tubberware, mirror butterfly, griff, needles, pink pearlchain, dimensions variable
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From left to right: Matthias Holznagel & Rafael Jörger
, fluid ideas (inventar), 2021
, red/black shopping bag, wooden box, tubberware, mirror butterfly, griff, needles, pink pearlchain, dimensions variable; Rafael Jörger
, Double tap to pop the bubble, 2020
, oil, oilstick, acryl, pencil on cotton canvas, 70 x 45 cm
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From left to right: Matthias Holznagel Beisitzer, 2021, 
oil & crayon on canvas, 24 x 30 cm; Matthias Holznagel, Verschwundene Beisitzer, 2021, oil & guache on canvas, 24 x 30 cm
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Cyril Tyrone Hübscher, apartamento III, 2021, mixed media
1,5.5 x 23 x 21 cm
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From left to right: Anita Semadeni, 
Milch 2, 2021
acrylic, photograph and resin on cotton, 110 x 170 cm; Anita Semadeni, 
Milch 1, 2021, 
acrylic, colour pencil, latex and resin on cotton, 110 x 170 cm
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Matthias Holznagel & Rafael Jörger
, fluid ideas (Rafael & Matthias are getting sick), 2021, transparent trashbag, Rosemaries, chalkstick, schnurr, 
dimensions variable
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Anita Semadeni
, la stria. die hexe. the witch. #2, 2020, encaustic on cotton
, 30 x 30 cm
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Cyril Tyrone Hübscher, ballenberg-scenario IV, 2021, mixed media
, 39 x 40 x 44 cm
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Cyril Tyrone Hübscher, ballenberg-scenario IV, 2021, mixed media
, 39 x 40 x 44 cm
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Cyril Tyrone Hübscher, ballenberg-scenario IV, 2021, mixed media, 
39 x 40 x 44 cm
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From left to right: Anita Semadeni, When Bessie dreams. Bessie die Kuh., 2021, dyed silk and hazelwood, 138 x 230 cm; Matthias Holznagel, 
seek, 2021
, oil & watercolour on canvas, 24 x 30 cm; Rafael Jörger, 
Relief/A forgotten notice behind the mirror, 2021, rabbit glue, papercut, found notice on cotton canvas
, 80 x 42 cm; Rafael Jörger, 
Relief/Arch/Turbine, 2021, 
rabbit glue, papercut, oil, pencil on cotton canvas, 80 x 42 cm
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Matthias Holznagel, 
seek, 2021
, oil & watercolour on canvas, 24 x 30 cm
From left to right: Cyril Tyrone Hübscher, apartamento II, 2021, mixed media, 
16 x 21 x 24 cm; Anita Semadeni, When Bessie dreams. Bessie die Kuh., 2021, dyed silk and hazelwood, 138 x 230 cm

In a medley of potential relationships to home and house, an associative Derivé of the private ap- pears. Starting from – so I assume – a shared bed, framed by an old lamp which origins are unknown, guided from the seemingly most public room, through a signifier of privacy: a curtain. At this point we have already been introduced to all the ghostly occupants of the home, however, we will only find out as much later.

Like the inversion of public and private in the architectural living room, the perspectives are reversed as well. Starting from an incredibly detailed view with tiny characters and intimate insights, we ma- neuver through mementos of relationships with the home and stumble over artifacts of being on the move until we are confronted with models of places never known. Truly, a shared psychogeographic experience uncannily oscillating between private and public, big picture and detail, intimate and uni- dentifiable. An unseizable yet noticeably precise mesh of critique, reproduction, endorsement and warfare evolve which are oh so confusing and unsettling but still so familiar, warm and positively em- bracing.

Shabby 3D-printed chairs meet loving melancholia, technopunk and the materials of the literal home- maker look each other dead in the eye with absolutely no fear while the accelerationist dystopia of cardboard delivery boxes from Amazon Prime recreate the architecture of a blurry European past.

Yes, the accelerationist dystopia meets a Derivé of the private. Within our own four walls. In our shared beds.