Archive 2022 KubaParis

A World To Work With

View of A World To Work With, Modelleisenbahnautomat Düsseldorf, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
View of A World To Work With, Modelleisenbahnautomat Düsseldorf, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
View of A World To Work With, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
View of A World To Work With, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
Maria Visser, Aerobatics, 2022. Courtesy of the artist. Photo: Volker Crone.
Maria Visser, Aerobatics, 2022. Courtesy of the artist. Photo: Volker Crone.
Gina Fischli, Ohne Titel, 2022. Courtesy of the artist. Photo: Volker Crone.
Gina Fischli, Ohne Titel, 2022. Courtesy of the artist. Photo: Volker Crone.
Daniel Kuge, BHV1-G3WG2G-22, 2022. Courtesy of the artist. Photo: Volker Crone.
Daniel Kuge, BHV1-G3WG2G-22, 2022. Courtesy of the artist. Photo: Volker Crone.
Isa Melsheimer, Ich liebe dich bis zum Wahnsinn, 2022. Courtesy of the artist. Photo: Volker Crone.
Isa Melsheimer, Ich liebe dich bis zum Wahnsinn, 2022. Courtesy of the artist. Photo: Volker Crone.
Alexander Janz, Proposal for a short film (Le Rayon vert), 2022. Courtesy of the artist. Photo: Volker Crone.
Alexander Janz, Proposal for a short film (Le Rayon vert), 2022. Courtesy of the artist. Photo: Volker Crone.
Fritjof Mangerich, Sketch for a Public Monument, 2022. Courtesy of the artist. Photo: Volker Crone.
Fritjof Mangerich, Sketch for a Public Monument, 2022. Courtesy of the artist. Photo: Volker Crone.
Detail view of A World To Work With, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
Detail view of A World To Work With, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
Alex Wissel, Speibecken, 2022. Courtesy of the artist. Photo: Volker Crone.
Alex Wissel, Speibecken, 2022. Courtesy of the artist. Photo: Volker Crone.
Detail view of A World To Work With, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
Detail view of A World To Work With, 2022. Courtesy of Miniaturbiennale. Photo: Volker Crone.
Louise Lawler, Once There Was a Little Boy and Everything Turned Out Alright. The End, 1993. Courtesy of the artist and Sprüth Magers. Photo: Volker Crone.
Louise Lawler, Once There Was a Little Boy and Everything Turned Out Alright. The End, 1993. Courtesy of the artist and Sprüth Magers. Photo: Volker Crone.
Sophie Pape, Wohnung mit Sonnenuntergang (detail), 2022. Courtesy of the artist. Photo: Volker Crone.
Sophie Pape, Wohnung mit Sonnenuntergang (detail), 2022. Courtesy of the artist. Photo: Volker Crone.
Lucila Pacheco Dehne, Waiting For The Ocean To Come (Fishscalehouses), 2022. Courtesy of the artist. Photo: Volker Crone.
Lucila Pacheco Dehne, Waiting For The Ocean To Come (Fishscalehouses), 2022. Courtesy of the artist. Photo: Volker Crone.
Thomas Schütte, Pringles, 2022. Courtesy of the artist. Photo: Volker Crone.
Thomas Schütte, Pringles, 2022. Courtesy of the artist. Photo: Volker Crone.
Gerardo Nolasco-Rózsás, I’ve got no strings, 2022. Courtesy of the artist. Photo: Volker Crone.
Gerardo Nolasco-Rózsás, I’ve got no strings, 2022. Courtesy of the artist. Photo: Volker Crone.

Location

Mainstation Düsseldorf, Konrad Adenauer Platz 14 76133 Düsseldorf Germany

Date

07.04 –29.10.2022

Curator

Felix Koberstein, Alexander Janz

Photography

Volker Crone

Subheadline

The exhibition A World To Work With shows works by twelve artists in the Modellbahnautomat at Düsseldorf‘s main station. In the tradition of sculpture exhibitions in public spaces, works are presented as models on a scale of 1:87, ranging from unrealized to completely newly developed concepts. With Works by: Gina Fischli, Alexander Janz, Daniel Kuge, Louise Lawler, Fritjof Mangerich, Isa Melsheimer, Gerardo Nolasco-Rózsás, Lucila Pacheco Dehne, Sophie Pape, Thomas Schütte, Maria Visser and Alex Wissel The exhibition is curated by Alexander Janz and Felix Koberstein.

Text

Models play an important role in artistic production. Many larger projects are first created on a small scale before they are realized in the size they are intended. This is mostly for pragmatic reasons. Many constraints that exist in reality are undermined in the model. In this way, ideas and thought experiments that cannot be easily realized due to size, cost, safety risks, or other limitations can be vividly put up for disposition. Models are used for experimentation in the studio, but also as a form of presentation for communicating ideas. It is therefore no coincidence that the aesthetics of the model-like, especially since the Neo-avantgardes, has itself become a field of interest for artistic reflection. Model railroad layouts can be understood as a representation of an – often romantically transfigured – idea of reality. One example are the Modellbahnautomaten of the Düsseldorf company Werner Ehret, which have been present in many entrance halls of German train stations for more than 50 years now. Despite their outdated technology and increasing disappearance from public spaces, they are still places of longing in many children’s and adults‘ hearts. Under the motto A World To Work With, twelve artists have been invited to engage with this world, to use it, to question it and to change it. The exhibition was made possible by the kind support of the company Werner Ehret & Co. KG. Funded by Landeshauptstadt Düsseldorf and Kunst- und Kulturstiftung Stadtsparkasse Düsseldorf.

Felix Koberstein, Alexander Janz