Archive 2022 KubaParis

Nine Journeys

installation view
installation view
Daniel Maier-Reimer, 'Tokyo Wakkani 2002', 2022, C-Print framed, 94 x 118,5 cm (both)
Daniel Maier-Reimer, 'Tokyo Wakkani 2002', 2022, C-Print framed, 94 x 118,5 cm (both)
Till Krause, 'Nine Journeys. A guide to the exhibition', 2022
Till Krause, 'Nine Journeys. A guide to the exhibition', 2022
Daniel Maier-Reimer, 'Lapland Autumn 1991', 2022, C-Print framed, 94 x 118,5 cm
Daniel Maier-Reimer, 'Lapland Autumn 1991', 2022, C-Print framed, 94 x 118,5 cm
Daniel Maier-Reimer, 'Iran 2008', 2022, C-Print framed, 94 x 118,5 cm (both)
Daniel Maier-Reimer, 'Iran 2008', 2022, C-Print framed, 94 x 118,5 cm (both)
installation view
installation view
Florian Hüttner, 'Bar Mezzogiorno: Daniel Maier-Reimer's journey Apennin as presented by Florian Hüttner', 2018, 108 x 323 x 60 cm
Florian Hüttner, 'Bar Mezzogiorno: Daniel Maier-Reimer's journey Apennin as presented by Florian Hüttner', 2018, 108 x 323 x 60 cm

Location

Clages

Date

20.05 –22.07.2022

Photography

Simon Vogel

Subheadline

Created with the participation of Till Krause and Florian Hüttner.

Text

Daniel Maier-Reimer | Nine Journeys May 20th – July 23rd 2022 Created with the participation of Till Krause and Florian Hüttner. Currently Daniel Maier-Reimer is in Cologne. Over the past few years, he’s been to other places. Nine of these journeys are exhibited in the gallery in the form of individual relicts - one journey per room - to be navigated with the exhibition guide, a map to take along. We can see trees, water, stones, blurred colours, like views from a moving train. But what else can we see? The veiled process of travelling? The artist's memorabilia? The places he travelled across? Or simply the photographs? How do we know there are nine journeys on display? Our eyes won't tell us; they can’t. Whatever it is we are seeing, there is more which we aren’t seeing. This exhibition is not a second-hand experience. Instead of documenting or transporting what is seen, the photographs create ever new individual spaces of experience. By exploring and contemplating the exhibition, our own view and being-in-theworld is woven around the artist’s framed experiences ... but maybe I'm wrong.