Submission
Group Show

No fundo do mar

Anna Bochkova, Daniela Grabosch, Jackie Slanley, Paulo Arraiano and Siggi Sekira 21.09.2020 - 21.10.2020 // Grinzing, Vienna (AT) At the bottom of the sea lie white fears, / Where plants are animals / And animals are flowers./ A silent world which can’t be reached / By the turmoil of the waves. / Laughing open rounded shells / The seahorse swings. / An octopus moving along / In the disarray / Of his thousand arms, / A flower dances, / Vibrating noiseless in space. / Time rests over the sand / Light like a scarf. / But as beautiful as it is / It has a monster suspended from above. [Translated from the portuguese original: "Fundo do mar" by Sophia de Mello Breyner Andresen, 1944]


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Daniela Grabosch, BLUE RED YELLOW GREEN — RESULTING INTO GREY AREAS, 2020, interactive objects, 3D Print [Polyamide/PA12], scent, sound, dimensions variable (3D Prints approx. 9x7cm) (No fundo do mar installation view)
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Paulo Arraiano, Sensorial Divinities (An Essay on Digital Immortality), 2019, Video, 1920 x 1080 px, Full HD, 05:43 min. (Video still)
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Paulo Arraiano, Sensorial Divinities (An Essay on Digital Immortality), 2019, Video, 1920 x 1080 px, Full HD, 05:43 min. (No fundo do mar installation view)
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Paulo Arraiano, Shall We Dance, 2019, Video, 1920 x 1080 px, Full HD, 03:29 min. (No fundo do mar installation view)
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Paulo Arraiano, Shall We Dance, 2019, Video, 1920 x 1080 px, Full HD, 03:29 min (Detail view)
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Paulo Arraiano, Shall We Dance, 2019, Video, 1920 x 1080 px, Full HD, 03:29 min (Video still)
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Anna Bochkova, Borderland, 2020, sculpture, plaster, medical gaze, 23x33x5 cm + Soft memories, 2020, sculpture, plaster, chain, medical gaze, 28x20 cm (No fundo do mar installation view)
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Anna Bochkova, Soft memories, 2020, sculpture, plaster, chain, medical gaze, 28x20 cm (Detail view)
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Anna Bochkova, Borderland, 2020, sculpture, plaster, medical gaze, 23x33x5 cm (Detail view)
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Anna Bochkova, Star City, 2020, sculpture, wire, cardboard, plaster, 30x43x22 cm (No fundo do mar installation view)
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Daniela Grabosch, [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 02] [4320W JAUNE VIF], 2020, wearable object[s], cotton fabric, bronzed steel 3D Print, scent, boat rope, clothes hanger with clips, approx. 140x140cm (3D Print: approx. 7x7cm) (Detail view)
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Daniela Grabosch, [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 02] [4320W JAUNE VIF], 2020, wearable object[s], cotton fabric, bronzed steel 3D Print, scent, boat rope, clothes hanger with clips, approx. 140x140cm (3D Print: approx. 7x7cm) (Detail view)
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Daniela Grabosch, [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 02] [4320W JAUNE VIF], 2020, wearable object[s], cotton fabric, bronzed steel 3D Print, scent, boat rope, clothes hanger with clips, approx. 140x140cm (3D Print: approx. 7x7cm) (No fundo do mar installation view)
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Daniela Grabosch, [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 02] [4320W JAUNE VIF], 2020, wearable object[s], cotton fabric, bronzed steel 3D Print, scent, boat rope, clothes hanger with clips, approx. 140x140cm (3D Print: approx. 7x7cm) (No fundo do mar installation view)
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Siggi Sekira, Fire Cycle 2 & 3, 2020, drawing, coloured pencils on paper, 21 x 14,8 cm (No fundo do mar detailed view)
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Siggi Sekira, Fire Cycle 2 & 3, 2020, drawing, coloured pencils on paper, 21 x 14,8 cm (No fundo do mar installation view)
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Jackie Slanley, drawing, pen, color pencil and inkjet print on paper, 8” x 10” + drawing, pen and color pencil on paper, 11” x 14” (Detail view)
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Jackie Slanley, drawing, pen, color pencil and inkjet print on paper, 8” x 10” + drawing, pen and color pencil on paper, 11” x 14” (No fundo do mar installation view)
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Siggi Sekira, In the Arms of the Deepest Forest, 2019, ceramic sculpture, glazed stoneware, 40 x 10 x 8 cm (No fundo do mar installation view)
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Siggi Sekira, In the Arms of the Deepest Forest, 2019, ceramic sculpture, glazed stoneware, 40 x 10 x 8 cm (Detail view)
https://vimeo.com/316601473 https://vimeo.com/380323012

At the bottom of the sea lie white fears, / Where plants are animals / And animals are flowers./ A silent world which can’t be reached / By the turmoil of the waves. / Laughing open rounded shells / The seahorse swings. / An octopus moving along / In the disarray / Of his thousand arms, / A flower dances, / Vibrating noiseless in space. / Time rests over the sand / Light like a scarf. / But as beautiful as it is / It has a monster suspended from above.

[Translated from the portuguese original: “Fundo do mar” by Sophia de Mello Breyner Andresen, 1944]