Archive 2022 KubaParis

Ort der Kraft

Dominik Styk, no title, 2021, mixed media, dimensions variable, installation view inside the cave
Dominik Styk, no title, 2021, mixed media, dimensions variable, installation view inside the cave
Valerie Habsburg, so lange wie die Sterne, 2022 Paper, ink, 40 x 50 cm and Dominik Styk, no title, 2021, mixed media, dimensions variable, installation view inside the cave
Valerie Habsburg, so lange wie die Sterne, 2022 Paper, ink, 40 x 50 cm and Dominik Styk, no title, 2021, mixed media, dimensions variable, installation view inside the cave
Valerie Habsburg, so lange wie die Sterne, 2022 Paper, ink, 40 x 50 cm
Valerie Habsburg, so lange wie die Sterne, 2022 Paper, ink, 40 x 50 cm
Dominik Styk, no title, 2021, mixed media, dimensions variable
Dominik Styk, no title, 2021, mixed media, dimensions variable
Anne Meerpohl, Taste of Throwing, 2022, oil on canvas, 30 x 40 cm
Anne Meerpohl, Taste of Throwing, 2022, oil on canvas, 30 x 40 cm
Anna Bochkova, gentle weapon, 2022, glazed ceramics  13x 30x 13 cm
Anna Bochkova, gentle weapon, 2022, glazed ceramics 13x 30x 13 cm
Iona Mackenzie, Hauled Up from the Deep, 2019, ceramic, 45 x 35 cm
Iona Mackenzie, Hauled Up from the Deep, 2019, ceramic, 45 x 35 cm
Bianca Pedrina, Shhh - Just be a rock, 2022, Aluminium Snap Frames, Prints on Fujicolor Archive Paper, 88 x 64cm, installation view inside the cave
Bianca Pedrina, Shhh - Just be a rock, 2022, Aluminium Snap Frames, Prints on Fujicolor Archive Paper, 88 x 64cm, installation view inside the cave
Algirdas Jakas, Worry Bone, 2022, Epoxy resin, acrylic paint, Variable dimensions
Algirdas Jakas, Worry Bone, 2022, Epoxy resin, acrylic paint, Variable dimensions
Bianca Pedrina, Shhh - Just be a rock, 2022, Aluminium Snap Frames, Prints on Fujicolor Archive Paper, 88 x 64cm, installation view outside the cave
Bianca Pedrina, Shhh - Just be a rock, 2022, Aluminium Snap Frames, Prints on Fujicolor Archive Paper, 88 x 64cm, installation view outside the cave
Anna Bochkova, so soft is your skin, 2021-2022, ceramics, metal chains, variable dimensions
Anna Bochkova, so soft is your skin, 2021-2022, ceramics, metal chains, variable dimensions
Anna Bochkova, beanbag, 2022, ceramics, 13x11x4 cm
Anna Bochkova, beanbag, 2022, ceramics, 13x11x4 cm
Iona Mackenzie, Bigger on the Inside, 2022, wood, paper tape, satin, 36 x 7 cm
Iona Mackenzie, Bigger on the Inside, 2022, wood, paper tape, satin, 36 x 7 cm
Leyli Aslanova, have roots and wave in the wind, 2022, Handdrawn animation, 30 sec
Leyli Aslanova, have roots and wave in the wind, 2022, Handdrawn animation, 30 sec
Dominik Styk, no title, 2021, mixed media, dimensions variable, view outside the cave
Dominik Styk, no title, 2021, mixed media, dimensions variable, view outside the cave
Valerie Habsburg, so lange wie die Sterne, 2022 Paper, ink, 40 x 50 cm and Dominik Styk, no title, 2021, mixed media, dimensions variable, installation view outside of the cave
Valerie Habsburg, so lange wie die Sterne, 2022 Paper, ink, 40 x 50 cm and Dominik Styk, no title, 2021, mixed media, dimensions variable, installation view outside of the cave
Judith Augustinovič, elas e eu | sie und ich, in progress, 2011-2022,  linen, tape, variable dimensions
Judith Augustinovič, elas e eu | sie und ich, in progress, 2011-2022, linen, tape, variable dimensions

Location

Bad Vöslau, Austria

Date

10.06 –17.06.2022

Curator

Anna Bochkova

Photography

Valerie Habsburg

Subheadline

Opening 11.06.2022 11.06.2022-19.06.2022 Bad Voeslau, Austria Participating artists Judith Augustinovič Anne Meerpohl Iona Mackenzie Valerie Habsburg Algirdas Jakas Bianca Pedrina Dominik Styk Leyli Aslanova Anna Bochkova Photo credits: Valerie Habsburg The Group show Ort der Kraft presents positions of 9 artists working with different media. Ort der Kraft is a common expression in German language meaning a place which has a strong energy and is used in mostly esoteric context. Such spaces are usually situated in a natural landscape and might have some traces of former civilizations. The site of power chosen for this project is a group of caves surrounding a quarry near Vienna. Brought to a site where nature takes a role of a crossroad unifying different mythologies and topographies of artists, the works are soon covered by limestone dust, creating new casual relationships to each other. Objects emerge from the landscape causing flashbacks of memories, hopes and conditions. A child hides under the table while listening to ‘In the Hall of the Mountain King’ by Edvard Grieg. Sitting under the table, the child imagines a place full of mythical creatures and how this flat would look like if it was a cave. For a child growing up in spacious horizontality, mountains become a symbol of something otherworldly, protecting and liberating. Indeed a space of power. In some types of psychotherapy, the concept of power-places is applied to patients as an inner place which doesn’t have to exist, but is meant as a conceptual place where a person feels safe and empowered. Inside the cave, the sharpness of the world is blunted, but after this experience, the world outside seems even sharper.

Text

The Group show Ort der Kraft presents positions of 9 artists working with different media. Ort der Kraft is a common expression in German language meaning a place which has a strong energy and is used in mostly esoteric context. Such spaces are usually situated in a natural landscape and might have some traces of former civilizations. The site of power chosen for this project is a group of caves surrounding a quarry near Vienna. Brought to a site where nature takes a role of a crossroad unifying different mythologies and topographies of artists, the works are soon covered by limestone dust, creating new casual relationships to each other. Objects emerge from the landscape causing flashbacks of memories, hopes and conditions. A child hides under the table while listening to ‘In the Hall of the Mountain King’ by Edvard Grieg. Sitting under the table, the child imagines a place full of mythical creatures and how this flat would look like if it was a cave. For a child growing up in spacious horizontality, mountains become a symbol of something otherworldly, protecting and liberating. Indeed a space of power. In some types of psychotherapy, the concept of power-places is applied to patients as an inner place which doesn’t have to exist, but is meant as a conceptual place where a person feels safe and empowered. Inside the cave, the sharpness of the world is blunted, but after this experience, the world outside seems even sharper.

Anna Bochkova