Submission
Group Show

GROUP SHOW: Tomaso Binga, Lucia Cristiani, Auriea Harvey, Jonas Lund, Giulia Mangoni, Meletios Meletiou, Diego Miguel Mirabella, Jacopo Rinaldi, Agnese Spolverini, The Cool Couple, Elo Vega, Alessandro Vizzini e Benyamin Zolfaghari. PRINTED MATTER: Alessia Armeni, Georges De Canino, Quentin Lefranc, Lucia Marcucci, Lamberto Pignotti e Sergio Sarra (in collaborazione con Emilio Prini). With Litografia Bulla, Giuseppe Garrera and Studio Bibliografico Marini. GLI IMPRESARI with the contribution of Giuseppe Abate, Paola Angelini, Nico Angiuli, Franco Ariaudo, Saverio Bonato, Thomas Braida, Paolo Buggiani, Helen Cammock, Lia Cecchin, Manuele Cerutti, Leone Contini, Teresa Cos, Gruppo Etcetera, Cleo Fariselli, Roberto Fassone, Matteo Fato, Anna Franceschini, Valentina Furian, Martino Genchi, Marco Gobbi, Daniele Alef Grillo, Andrea Grotto, Federico Lupo, Francesco Maluta, Elena Mazzi, Cristiano Menchini, Alessandra Messali, Ryts Monet, Ignazio Mortellaro, Antoni Muntadas, Valerio Nicolai, Cesare Pietroiusti, Thomas Nadal Poletto, Luigi Presicce, Maria Domenica Rapicavoli, Nuvola Ravera, Mariateresa Sartori, Davide Sebastian, Mirko Smerdel, Giulio Squillacciotti, Serena Vestrucci, Luca Vitone, Špela Volcic.


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“Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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“Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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“Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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“Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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“Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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“Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Agnese Spolverini. Untitled (Tears). “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Alessandro Vizzini, Sorgenti. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Auriea Harvey, Bazaar. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Benyamin Zolfaghari, Untitled. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Diego Miguel Mirabella, Paesaggio Mirabella. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Elo Vega, Dormienti. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Giulia Mangoni, Chicken Cabinet. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Gli Impresari, Il Lanternista (Detail). “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Gli Impresari, Il Lanternista. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Jacopo Rinaldi, Senza Titolo (io sono un disgraziato il mio destino è morire in prigione strangolato). “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Jonas Lund, TOS. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Meletios Metetiou, ReSize to Fit. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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The Cool Couple, Cool People Pay Happily. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.
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Tomaso Binga, OperaPoesia Mater7 Giallo. “Porta Portese”, curated by Gaia Bobò. Installation view at SPAZIOMENSA. Photo Credit Giorgio Benni.

Porta Portese is a curatorial project which reflects on the device of the market as a place of transmission and transit of objects and images, crossroad of different geographical and temporal coordinates. The suggestion of an ephemeral cultural space, cyclically performed by the individuals who traverse it, emphasizes the ritual, irrational and magical dimension that has determined the magnetism of this social practice through time. Starting from a close investigation on the city of Rome, the exhibition expands its scope questioning the potential evolutions of the accelerated dimension of the global market, unveiling the cultural, social and anthropological dynamics connected to the very idea of the marketplace, place of exchange, sharing and discovery.
The metaphorical suggestion of the market of Porta Portese, a pivotal element of the Roman visual culture, is evoked in a meta-reflection on its display, transformed into an installation platform to explore the issues located at the border between contemporary artistic practices and the investigation of intangible heritage. Among these: the concept of collective archive, the research on media archaeology, the processes of transmission and diffusion of images and the relationship with the architecture of the public space. The exhibition is accompanied by a publication edited by DITO Publishing.