Producing Futures – An Exhibition on Post-Cyber-Feminisms @Migros Museum

Anicka Yi: Home in 30 Day, Don’t Wash, 2015; We Are Water, 2015; Your Hand Feels Like a Pillow That´s Been Microwaved, 2015, Courtesy of the artist, The Kitchen, New York, und 47 Canal, New York, Ausstellungsansicht Migros Museum für Gegenwartskunst, Foto: Lorenzo Pusterla
Juliana Huxtable, Ohne Titel, 2019, Courtesy the artist and Project Native Informant, London; Guan Xiao, Enjoyable Relationship, 2017, Privatsammlung; Ausstellungsansicht Migros Museum für Gegenwartskunst, Foto: Lorenzo Pusterla
Tabita Rezaire, Sugar Walls Teardom, 2016, Courtesy the artist and Goodman Gallery, Johannesburg; MALAXA, Flag for God, 2016/19, Courtesy the artists, Ausstellungsansicht Migros Museum für Gegenwartskunst, Foto: Lorenzo Pusterla

Anna Uddenberg, Disconnect (airplane mode), 2018, Courtesy the artist and Kraupa-Tuskany Zeidler, Berlin; VNS Matrix, The Cyberfeminist Manifesto for the 21st Century, 1991, Courtesy the artists; Ausstellungsansicht Migros Museum für Gegenwartskunst, Foto: Lorenzo Pusterla

Feb 16 – May 12, 2019

Migros Museum für Gegenwartskunst surveys the causes championed by feminists in the post-internet era. Our virtual and real lives are almost inextricably interwoven today. Yet contrary to the heady proclamations of the cyberfeminists of the 1990s, cyberspace has not evolved into a realm of unclouded liberation and self-empowerment; it has also served to reinforce existing hierarchies and power structures. Opening with a new work by the artists’ collective VNS Matrix, which coined the term cyberfeminism, the presentation revisits the movement’s historic aspirations and visions, contrasts them with the contemporary situation, and inquires into ways in which its ideas may still be productive. The exhibition undertakes a critical engagement with different feminist approaches that put the spotlight on the tension between body and technology and on discriminatory gender norms. The contributing artists reflect on and defamiliarize the offerings of various online platforms in order to further blur the boundaries between virtual and real, online and offline, and the genders. Many of the works pursue a holistic view, drawing on (medical) science, the occult, and other fields to stimulate a more comprehensive discussion and generate ideas for a livable future of emancipation, gender justice, and social equality.

Curated by Heike Munder (director, Migros Museum für Gegenwartskunst), the exhibition will include works by Cao Fei, Cécile B. Evans, Lynn Hershman Leeson, Juliana Huxtable, Guan Xiao, MALAXA, Mary Maggic, Shana Moulton, Tabita Rezaire, Gavin Rayna Russom, Frances Stark, Wu Tsang, Anna Uddenberg, VNS Matrix, and Anicka Yi. An accompanying publication with essays by Joanna Walsh, Yvonne Volkart, Paul B. Preciado, Heike Munder, and Elsa Himmer will be released in the spring of 2019.