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Garfield in 2D
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Garfield in 2D, 2022, exhibition view, Disneyland Paris, Perth
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Garfield in 2D, 2022, exhibition view, Disneyland Paris, Perth
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Garfield in 2D, 2022, exhibition view, Disneyland Paris, Perth

Bora Akıncıtürk, Vintage Enesco GARFIELD Creamer 1981 I Love Moo Juice United Feature Syndicate, 2022, Oil on canvas, 30 x 24cm
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Bora Akıncıtürk, Vintage Enesco GARFIELD Creamer 1981 I Love Moo Juice United Feature Syndicate, 2022, Oil on canvas, 30 x 24cm
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Bora Akıncıtürk, Vintage Enesco GARFIELD Creamer 1981 I Love Moo Juice United Feature Syndicate, 2022, Oil on canvas, 30 x 24cm
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David Attwood, YOU WORK AND THEN YOU DIE (Study for a bedroom mural), 2020 - 2022, Paintings made by the artist's mother according to his instructions, Acrylic on canvas, 30.5 x 40.5 cm each
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David Attwood, YOU WORK AND THEN YOU DIE (Study for a bedroom mural), 2020 - 2022, Paintings made by the artist's mother according to his instructions, Acrylic on canvas, 30.5 x 40.5 cm each
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David Attwood, YOU WORK AND THEN YOU DIE (Study for a bedroom mural), 2020 - 2022, Paintings made by the artist's mother according to his instructions, Acrylic on canvas, 30.5 x 40.5 cm each
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Jaakko Pallasvuo, Claws, 2022, Canvas print, 30 x 30 cm
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Jaakko Pallasvuo, Claws, 2022, Canvas print, 30 x 30 cm
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Garfield in 2D, 2022, exhibition view, Disneyland Paris, Perth
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Garfield in 2D, exhibition design, ceiling pull cord llight switch and vintage Garfield Fantasy pin, environmetnal dimensions
...Jim Davis’ Garfield provides such interesting material for fan art as its humour allows for an endless repetition of punchlines concerning Jon’s ambivalent feelings to domestic life. This lack of resolution invites interventions to try to resolve or to heighten the antagonisms in the original material. Garfield fan art draws out the anxieties about consumption at work in Garfield and how consumption constituted its genesis. Further, Garfield and its fandom might show us the ways in which ironic art can serve to build social connections in contrast to the potentially alienating effects of didactic art in an atomized society of Jons. It is for this reason that I believe artists, writers and critics everywhere must be ready, on behalf of those who have nothing to lose but their chains, to stand up and say meow meow meow meow meow.
G.P.K.
Geoffrey Pussy-Kat