Mathis Pfäffli

Floor is Lava

Project Info

  • 💙 Kunstmuseum Luzern
  • 💚 Laura Breitschmid
  • 🖤 Mathis Pfäffli
  • 💜 Sophia Roxane Rohwetter
  • 💛 Claude Barrault

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Installation View
Installation View
In Cooperation with Kommission Bildende Kunst Stadt Luzern
Europaplatz 1 2022 Aluminum, electronic scrap, LED, cable, magnets, found objects, glass, concrete Approx. 60 × 60 × 50 cm
Europaplatz 1 2022 Aluminum, electronic scrap, LED, cable, magnets, found objects, glass, concrete Approx. 60 × 60 × 50 cm
Installation View
Installation View
Installation View
Installation View
Collector (window drawing) 2022 Steel, glass, magnets, concrete 200 × 200 cm
Collector (window drawing) 2022 Steel, glass, magnets, concrete 200 × 200 cm
Switchboard III 2022 Wooden ball, aluminum, metal rings, steel balls, plastic Approx. 80 × 40 cm
Switchboard III 2022 Wooden ball, aluminum, metal rings, steel balls, plastic Approx. 80 × 40 cm
Drawing Box I 2022 Ring screws, thread, magnets, snap hooks, paper, graphite Length approx. 36 × 43 cm
Drawing Box I 2022 Ring screws, thread, magnets, snap hooks, paper, graphite Length approx. 36 × 43 cm
Collector V 2022 Glass, steel cable, found objects, Height approx. 60 cm
Collector V 2022 Glass, steel cable, found objects, Height approx. 60 cm
Table and Glasses (some of 250) 2022 Concrete, electrical scrap, found objects, engraved drinking glasses Width (table) 90 cm
Table and Glasses (some of 250) 2022 Concrete, electrical scrap, found objects, engraved drinking glasses Width (table) 90 cm
During the game “Floor is Lava” it is not allowed to touch the floor, so players have to move around by climbing on items of furniture or playground equipment. Mathis Pfäffli (*1983) calls his exhibition Floor is Lava because he is interested, among other things, in how the rules of a game take effect and force players to take alternative actions. For his sculptures and installations he uses found items from nature and industry which he re-combines and re-purposes. Like his quasi surrealistic drawings, they deal with landscape, growth and decay. For this purpose, the artist plays with existing world images, our language and our surroundings. In the exhibition an extensive new series of drawings and objects prompts us to treat the conventions of everyday life in a pleasing and playful way. The Kommission Bildende Kunst Stadt Luzern devoted volume 18 of the publication series spot on to Mathis Pfäffli.
Sophia Roxane Rohwetter

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