Groupshow, Liesl Raff, Martina Böttiger, Gabor Kristof, Daniel Kurth

Fasan

Project Info

  • 💙 Fasan
  • 🖤 Groupshow, Liesl Raff, Martina Böttiger, Gabor Kristof, Daniel Kurth
  • 💜 Fasan
  • 💛 Fasan

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Fasan, Exhibition View 1
Fasan, Exhibition View 1
Group Show
Fasan, Exhibition View 2
Fasan, Exhibition View 2
Fasan, Exhibition View 3
Fasan, Exhibition View 3
Fasan, Exhibition View 4
Fasan, Exhibition View 4
Liesl Raff, Head 7, metal, paint, buffalo wax, 45x45x11cm, 2018 1
Liesl Raff, Head 7, metal, paint, buffalo wax, 45x45x11cm, 2018 1
Liesl Raff, Head 7, metal, paint, buffalo wax, 45x45x11cm, 2018 2
Liesl Raff, Head 7, metal, paint, buffalo wax, 45x45x11cm, 2018 2
Daniel Kurth, Mobile, wooden object colored with coffee, 125x50x40cm, 2020
Daniel Kurth, Mobile, wooden object colored with coffee, 125x50x40cm, 2020
Martina Böttiger, Fortgang Version 1, handprinted cotton, ceramic, 700x230cm, 2022 1
Martina Böttiger, Fortgang Version 1, handprinted cotton, ceramic, 700x230cm, 2022 1
Martina Böttiger, Fortgang Version 1, handprinted cotton, ceramic, 700x230cm, 2022 2
Martina Böttiger, Fortgang Version 1, handprinted cotton, ceramic, 700x230cm, 2022 2
Martina Böttiger, Fortgang Version 1, handprinted cotton, ceramic, 700x230cm, 2022 3
Martina Böttiger, Fortgang Version 1, handprinted cotton, ceramic, 700x230cm, 2022 3
Gábor Kristóf, Reconstruction of a flooded Island, directly exposed offset plate hand printed, 2020 1
Gábor Kristóf, Reconstruction of a flooded Island, directly exposed offset plate hand printed, 2020 1
Gábor Kristóf, Reconstruction of a flooded Island, directly exposed offset plate hand printed, 2020 2
Gábor Kristóf, Reconstruction of a flooded Island, directly exposed offset plate hand printed, 2020 2
Inaugurational Group Show at Fasan Fasan is a non-profit-oriented exhibition space in Basel, Switzerland. Gathering the works of four artists from Switzerland, Austria and Hungary, the exhibition aims to recreate a feeling of staged intimacy and interiority, recalling the visitor the artificiality and precarity of our personal Lebenswelten as well as of the codes of displaying cultural products such as conteporary art by placing the exhibition into an emptied living room. Some objects refer consciously to furniture and applied art, oscillating therefore between representation and application, while others recall classical picture formats, in which at second gaze portrait and landscape get deconstructed, with their primordial elements laying bare.
Fasan

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