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« Mon palais, choir » at Sans titre, Paris

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Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Aysha E Arar, Robert Brambora, Zuzanna Czebatul, Ezio Gribaudo, Jacent, Paula Kamps, Tanja Nis-Hansen, Johanna Odersky, Hamish Pearch, Jessy Razafimandimby, Agnes Scherer, Yan Xinyue
Jessy Razafimandimby, L’écarlate emplissait ses narines, 2022, curtain, tieback, found document holder, pencil on paper, variable dimensions, unique & Œil de Mars, 2022, curtain, found bronze handles, variable dimensions, unique
Jessy Razafimandimby, L’écarlate emplissait ses narines, 2022, curtain, tieback, found document holder, pencil on paper, variable dimensions, unique & Œil de Mars, 2022, curtain, found bronze handles, variable dimensions, unique
Johanna Odersky, Series of "Ors", 2019, screenprint and watercolor on paper, lightbulbs, wiggly eyes, unique & Tanja Nis-Hansen, A twist in my sobriety, 2018, oil and graphite on canvas, 160 x 140 cm, unique
Johanna Odersky, Series of "Ors", 2019, screenprint and watercolor on paper, lightbulbs, wiggly eyes, unique & Tanja Nis-Hansen, A twist in my sobriety, 2018, oil and graphite on canvas, 160 x 140 cm, unique
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Hamish Pearch, The wooden and the true, 2022, bronze, 35 x 30 x 50 cm, unique
Hamish Pearch, The wooden and the true, 2022, bronze, 35 x 30 x 50 cm, unique
Ezio Gribaudo, Dinosauri e pesci, 2021, pastel on canvas, 132 x 233 cm, unique
Ezio Gribaudo, Dinosauri e pesci, 2021, pastel on canvas, 132 x 233 cm, unique
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Aysha E Arar, The free wrestling, 2022, acrylic and spray on fabric, 207 x 160 cm, unique
Aysha E Arar, The free wrestling, 2022, acrylic and spray on fabric, 207 x 160 cm, unique
Robert Brambora, Simultaneousness, 2022, ceramic, epoxid, 30 x 16 x 5 cm, unique
Robert Brambora, Simultaneousness, 2022, ceramic, epoxid, 30 x 16 x 5 cm, unique
Yan Xinyue, Give me one more glass #3, 2022, painting on canvas, 27.9 x 76.2 cm & 27.9 x 43.2 cm, unique
Yan Xinyue, Give me one more glass #3, 2022, painting on canvas, 27.9 x 76.2 cm & 27.9 x 43.2 cm, unique
Jacent, Vanitas, 2022, painted and baked earthenware tiles, plywood, seal, TV mount, watercolour, variable dimensions, unique
Jacent, Vanitas, 2022, painted and baked earthenware tiles, plywood, seal, TV mount, watercolour, variable dimensions, unique
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Paula Kamps, Spy, 2022, pigment and glutin on canvas, 40 x 30 cm, unique
Paula Kamps, Spy, 2022, pigment and glutin on canvas, 40 x 30 cm, unique
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Agnes Scherer, Little broken, 2022, acrylic on canvas, 86 x 63 x 3 cm (each parts), unique
Agnes Scherer, Little broken, 2022, acrylic on canvas, 86 x 63 x 3 cm (each parts), unique
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Mon palais, choir, 2022, exhibition view, Sans titre, Paris
Zuzanna Czebatul, Gentle Reminder (of the Banality of Power), 2021, concrete, pigments, ⌀ 43 cm, unique
Zuzanna Czebatul, Gentle Reminder (of the Banality of Power), 2021, concrete, pigments, ⌀ 43 cm, unique
The opening of the Sans titre's new address in Paris is taking place on September 16 with an inaugural group exhibition entitled « Mon palais, choir ». It takes the name from a book by Jessy Razafimandimby, published alongside his exhibition a few months ago. The group exhibition is featuring the works of artists represented by the gallery, or who will be the subject of an exhibition during the year 2022 – 2023: Aysha E Arar, Robert Brambora, Zuzanna Czebatul, Ezio Gribaudo, Jacent, Paula Kamps, Tanja Nis-Hansen, Johanna Odersky, Hamish Pearch, Jessy Razafimandimby, Agnes Scherer and Yan Xinyue. « Mon Palais, choir » refers to the history of the space itself, formerly a Bourbon Restoration-era bar, whose facade is registered as a Historic Monument, one of the last examples of this emblematic architecture.The exhibited works evoke conviviality, communal life; a celebration bringing together practices that illustrate the variety of projects offered by sans titre.

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