Groupshow

URGE / Lovers of Leftovers

Project Info

  • 💙 The White Room
  • 💚 Jagna Domżalska
  • 🖤 Groupshow
  • 💜 Jagna Domźalska
  • 💛 Marcel Rozhoň

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Agnieszka Grodzińska, Bilaterally Symmetrical Vacuum, foto Marcel Rozhoň
Agnieszka Grodzińska, Bilaterally Symmetrical Vacuum, foto Marcel Rozhoň
Piotr Bosacki, Antenna 1, Miłosz Rygiel-Sańko, Untitled, foto Marcel Rozhoň
Piotr Bosacki, Antenna 1, Miłosz Rygiel-Sańko, Untitled, foto Marcel Rozhoň
Julie Chovin, Futurotopia, foto Marcel Rozhoň
Julie Chovin, Futurotopia, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Agnieszka Grodzińska, Hands Shaker, Piotr Bosacki, Antenna 2, Jan Domicz, (leftovers from a previous work which had to be straight as a pipe), foto Marcel Rozhoň
Agnieszka Grodzińska, Hands Shaker, Piotr Bosacki, Antenna 2, Jan Domicz, (leftovers from a previous work which had to be straight as a pipe), foto Marcel Rozhoň
Jan Domicz, (leftovers from a previous work which had to be straight as a pipe), foto Marcel Rozhoň
Jan Domicz, (leftovers from a previous work which had to be straight as a pipe), foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Vasil Artamonov, The Central European paradox, foto Marcel Rozhoň
Vasil Artamonov, The Central European paradox, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Julie Chovin, 4962-1004, foto Marcel Rozhoň
Julie Chovin, 4962-1004, foto Marcel Rozhoň
Julie Chovin, 4962-1004, Miłosz Rygiel-SańkoUntitled (two car shelves, three fridge shelves), foto Marcel Rozhoň
Julie Chovin, 4962-1004, Miłosz Rygiel-SańkoUntitled (two car shelves, three fridge shelves), foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
Installation view, foto Marcel Rozhoň
„Lovers of Leftovers” is a group show on the natural need of harmony. Vasil Artamonov (CZE), Piotr Bosacki (PL), Jan Domicz (PL), Julie Chovin (FR/GE), Alex and John Gailla (SW/GE), Agnieszka Grodzińska (PL) and Miłosz Rygiel – Sańko create sophisticated objects from abandoned materials with some obsession or compulsion, yet there seems to be tenderness in the way they treat it. Perhaps it is a matter of composition. Simple as that. Repetition and lending a rhythm always ennobles. This, however, is certainly not a deliberate strategy. Sooner an imperative. And not so much a necessity to have things in order but a response to matt er, working with it, collaboration. Love? For forms, for a certain range of colours, for splatters. And a love affair with seeking redefinition. Resetting functions. Ignoring contexts, or highlighting and winking at them. Elegance and simplicity that does not obscure the story. Composition.
Jagna Domźalska

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