
Vincent Vandaele
die dualität des Bösen
Project Info
- 💙 Galerie der Künstler*innen
- 🖤 Vincent Vandaele
- 💜 Anja Lückenkemper
- 💛 Constanza Melendez
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‘Flur mit Tür’ – drywall, drywall profiles, magnets, drawing on paper, 2022 (right)
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‘Entenhaken 2’ – watercut and polished aluminium, PET-G (mounted on to ‘Flur mit Tür”), 2022

‘OMG NOPOP’ – video installation, 6’28”, Screen, Monitors, Raspberry Pi, Plants, 2022



‘OMG NOPOP’ – Videoinstallation, Monitor, Lautsprecher, Raspberry Pi, Kunstblumen, 2022 (front) and ‘Bluttropfen’ – PET-G and Stones, 2022 (back)

‘OMG NOPOP’ – Videoinstallation, Monitor, Lautsprecher, Raspberry Pi, Kunstblumen, 2022


‘Bavaria 1’ and ‘Bavaria 2’ – Textured paint on Canvas, PLA wall mounts, 2020 (middle)

‘Bavaria 1’ and ‘Bavaria 2’ – Textured paint on Canvas, PLA wall mounts, 2020 (back), ‘Teufelskopf 7 (make my day)’ – Aluminium, Bronze and Zipties, 2022 (front)

‘Teufelskopf 7 (make my day)’ – Aluminium, Bronze and Zipties, 2022





THY FLESH CONSUMED Vincent Vandaele, 2022 design: Jan Motyka print: Druckhaus Sportflieger, Berlin ISBN-Nr.: 978-3-00-072920-1 1. edition: 400 224 pages, embossed hardcover

THY FLESH CONSUMED Vincent Vandaele, 2022 design: Jan Motyka print: Druckhaus Sportflieger, Berlin ISBN-Nr.: 978-3-00-072920-1 1. edition: 400 224 pages, embossed hardcover

THY FLESH CONSUMED Vincent Vandaele, 2022 design: Jan Motyka print: Druckhaus Sportflieger, Berlin ISBN-Nr.: 978-3-00-072920-1 1. edition: 400 224 pages, embossed hardcover

THY FLESH CONSUMED Vincent Vandaele, 2022 design: Jan Motyka print: Druckhaus Sportflieger, Berlin ISBN-Nr.: 978-3-00-072920-1 1. edition: 400 224 pages, embossed hardcover

THY FLESH CONSUMED Vincent Vandaele, 2022 design: Jan Motyka print: Druckhaus Sportflieger, Berlin ISBN-Nr.: 978-3-00-072920-1 1. edition: 400 224 pages, embossed hardcover
As part of Debütant*Innen 2022 with Janna Jirkova and Lukas Rehm at Galerie der Künstler*innen, Munich.
Vincent Vandaele’s installation practice impresses with its seemingly light yet precise use of a wide variety of materials and techniques, which he sets in tension and balance in space. Like spatial collages, he thereby assembles existing individual works into new installations for the respective exhibition context. In the current exhibition, he explores his own experience of dispossession and thus highlighting housing, ownership, dependency, precarity, and evil at the onset of the 2020 lockdown.
His works, which often deal with conflict situations or personal experiences in terms of content, are multi-layered explorations that use shifts in perspective to reveal the ambivalence of seemingly clear and unambiguous settings. They function as atmospheres that invite visitors to emotionally locate themselves to this storehouse of ideas, but elude unambiguous explanations. A certain dystopian attitude with regard to the emerging direction our society has taken. For example, the relation to technology and the associated questions of justice can be found in many of his works. In addition to the room installation, he presents THY FLESH CONSUMED, an artist's book as an independent but related work in terms of content, which in its formal language refers to the beginnings of his artistic practice, i.e. drawings, screen printing and etchings. The book also questions the duality of evil and can be read as a commentary on the consumerism of our time.
Anja Lückenkemper