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Wait, where did I leave my keys?
        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

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        John Sandroni, Chrystie Street, 2022 
Oil on canvas
152 × 127 cm 
/ Photographer: © Cedric Mussano, Courtesy the artist and Drei, Cologne


        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        Wolfgang Voigt, The Rolling Stones, 2018; 
Felt pen and collage on paper
; 1/5 works, 28 x 30 cm / 38 x 31,5 x 3 cm (framed) 
/ Photographer: © Cedric Mussano, Courtesy the artist and Drei, Cologne

        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        Tam Ochiai, Fort Worth Locarno (Patricia Highsmith), 2014; 
Oil on canvas
, 84 × 53 cm 
/ Courtesy the artist and Drei, Cologne

        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        Joanne Robertson, Press Onto, 2021; Oil on canvas
, 180 × 150 cm 
/ Courtesy the artist, Edouard Montassut, and Drei, Cologne
        Bill Hayden, Untitled, 2022; 
Youtube channel on television, mounting bracket, remote control with silicone sleeve; 
Various dimensions 
/ Photographer: © Cedric Mussano, Courtesy the artist and Drei, Cologne
        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        Julie Becker, Untitled (mirror drawing), 2004; 
Mixed media on paper; 
43 × 35,5 cm / 55 × 47,5 × 4 cm (framed) / 
Courtesy the artist, Greene Naftali, and Drei, Cologne
        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        John Sandroni, Chrystie Street 2, 2022; 
Oil on canvas; 
152 × 127 cm 
/ Photographer: © Cedric Mussano, Courtesy the artist and Drei, Cologne
        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        Colin Cardinal, Untitled (La Barceloneta), 2022; 
Inkjet print on Baryta
; 15 × 20 cm / 28 × 33 cm (framed) 
/ Photographer: © Cedric Mussano, Courtesy the artist and Drei, Cologne 
        Colin Cardinal, Untitled (La Barceloneta), 2022; 
Inkjet print on Baryta
; 15 × 20 cm / 28 × 33 cm (framed) 
/ Photographer: © Cedric Mussano, Courtesy the artist and Drei, Cologne 
        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

        Joanne Robertson, Stranger Day, 2021; Oil on canvas
, 180 × 150 cm 
/ Courtesy the artist, Edouard Montassut, and Drei, Cologne
        Bernadette Van-Huy, Perm (#12), 2022; 
Pencil and inkjet print on paper
; 32,6 × 24 cm (framed)
 / Courtesy the artist and Drei, Cologne 
        Installation view: Wait, where did I leave my keys?, Drei, Cologne, 2022 / 
Photographer: © Cedric Mussano, Courtesy of Drei, Cologne

’Wait, where did I leave my keys?’
Julie Becker, Colin Cardinal, Bill Hayden, Tam Ochiai, Joanne Robertson, John Sandroni, Bernadette Van-Huy, Wolfgang Voigt
Conceived by Whitney Claflin
November 16 – January 28, 2023 
“I live my life in the city
There's no easy way out
The day's moving just too fast for me
I need some time in the sunshine
I've gotta slow it right down
The day's moving just too fast for me
I live my life for the stars that shine
People say it's just a waste of time
When they said I should feed my head 
Well, that to me was just a day in bed
I'll take my car and drive real far
You're not concerned about the way we are 
In my mind my dreams are real
Now you're concerned about the way I feel 
Tonight, I'm a rock 'n' roll star” 
-Noel Gallagher
To Whom It May Concern: 
I don’t tend to misplace my keys. It happened recently, however, I left them at a bar a few 
months ago. Got them back no problem a few days later. It wasn’t that big of an issue- my front 
door has a digital entry code, and my boyfriend let me borrow his unit key until I could get mine back. Simple. 
It’s nice only having two keys: front door, unit door. No keys for a place of work, no car keys, no keys for anyone else’s place. Just two keys. 
I don’t have much to say about this exhibition, except that these artists have informed me and inspired me, kind of like keys to my brain. 
While installing this exhibition, I locked myself out of the gallery for two whole hours. Ironic! 
I hope you can enjoy the works in this show as much as I do. There are some lovely tangential visual coincidences, but I’m loath to spell them out, or explain anything further. 
Thank you, 
Whitney Claflin 
            
                
Whitney Claflin