Groupshow

PLEASE HOLD

Project Info

Share on

"Please Hold", installation view
"Please Hold", installation view
Jonathan Bitterli, "Workflow", 2019
Jonathan Bitterli, "Workflow", 2019
Anastasia Pavlou, "Dreaming=Dying", 2022
Anastasia Pavlou, "Dreaming=Dying", 2022
Anastasia Pavlou, "The Twins" and "Spread Thinly Like a Gel, 2022
Anastasia Pavlou, "The Twins" and "Spread Thinly Like a Gel, 2022
"Please Hold", installation view
"Please Hold", installation view
Laura Grubenmann‹, "Burn me down in anger, cling to my softness for eternity", 2020-22 and Nicolas Sarmiento, "‹It is all grey out there. The floors are ash, the walls are dove, the table is slate, the rug is gunmetal", 2022
Laura Grubenmann‹, "Burn me down in anger, cling to my softness for eternity", 2020-22 and Nicolas Sarmiento, "‹It is all grey out there. The floors are ash, the walls are dove, the table is slate, the rug is gunmetal", 2022
‹Nicolas Sarmiento, "‹It is all grey out there. The floors are ash, the walls are dove, the table is slate, the rug is gunmetal", 2022 & Karola Dischinger, "Carrer Ladder", 2016
‹Nicolas Sarmiento, "‹It is all grey out there. The floors are ash, the walls are dove, the table is slate, the rug is gunmetal", 2022 & Karola Dischinger, "Carrer Ladder", 2016
"Please Hold", installation view
"Please Hold", installation view
Enrico Luisoni‹, "Bodywork", 1986
Enrico Luisoni‹, "Bodywork", 1986
"Please Hold", installation view
"Please Hold", installation view
Gina Weisskoft‹, "Sternzeichen Zwillinge", 2016
Gina Weisskoft‹, "Sternzeichen Zwillinge", 2016
Nicolas Sarmiento, "‹Migration, power and pristine reservoir counters", 2020
Nicolas Sarmiento, "‹Migration, power and pristine reservoir counters", 2020
"Please Hold", installation view
"Please Hold", installation view
"Please Hold", installation view
"Please Hold", installation view
Susan Fankhauser‹, "Die Zeit umkehren", 2022; Kristian Suvatne Augland‹, "The news 1-6" and "Sculpture Chair 1-5", 2022; Dorothee Haller, "Groundbreaker", 2017
Susan Fankhauser‹, "Die Zeit umkehren", 2022; Kristian Suvatne Augland‹, "The news 1-6" and "Sculpture Chair 1-5", 2022; Dorothee Haller, "Groundbreaker", 2017
"Please Hold", installation view
"Please Hold", installation view
Kristian Suvatne Augland, "‹Adapter 1", 2022
Kristian Suvatne Augland, "‹Adapter 1", 2022
Kristian Suvatne Augland‹, "Spoon rack", 2022
Kristian Suvatne Augland‹, "Spoon rack", 2022
‹Matilde Martins‹, "Leben Mittel Punkt", 2022
‹Matilde Martins‹, "Leben Mittel Punkt", 2022
"Please Hold", installation view
"Please Hold", installation view
Asking someone to “hold” is like answering a question with a question – a sort of, request-turned-bouncy-hypophora. The original asker is left holding something, but what? What is being held? The phonetic ties between the words “to wait” and “weight” seem to go beyond funny word-play. Be it standing in line or sitting in an upcycled armchair glancing over an old National Geographic, experiencing a waiting-space can reveal an atypical materiality of time. In a bureaucratic world of things being endlessly postponed, time is no longer something you sense but something you carry. Granted, waiting is mostly an experience in selfhood and not the same for everyone, which also means the presence of every “waiter” is not acknowledged equally. The works shown gather various readings of time and the environments designed to contain it, while trying “to queue” the open-ended question: what are you waiting for?
Diogo Pinto

More KUBAPARIS