
Groupshow
PLEASE HOLD
Project Info
- đ Ausstellungsraum Klingental
- đ Diogo Pinto
- đ€ Groupshow
- đ Diogo Pinto
- đ Finn Curry
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"Please Hold", installation view
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Jonathan Bitterli, "Workflow", 2019

Anastasia Pavlou, "Dreaming=Dying", 2022

Anastasia Pavlou, "The Twins" and "Spread Thinly Like a Gel, 2022

"Please Hold", installation view

Laura Grubenmannâš, "Burn me down in anger, cling to my softness for eternity", 2020-22 and Nicolas Sarmiento, "âšIt is all grey out there. The floors are ash, the walls are dove, the table is slate, the rug is gunmetal", 2022

âšNicolas Sarmiento, "âšIt is all grey out there. The floors are ash, the walls are dove, the table is slate, the rug is gunmetal", 2022 & Karola Dischinger, "Carrer Ladder", 2016

"Please Hold", installation view

Enrico Luisoniâš, "Bodywork", 1986

"Please Hold", installation view

Gina Weisskoftâš, "Sternzeichen Zwillinge", 2016

Nicolas Sarmiento, "âšMigration, power and pristine reservoir counters", 2020

"Please Hold", installation view

"Please Hold", installation view

Susan Fankhauserâš, "Die Zeit umkehren", 2022; Kristian Suvatne Auglandâš, "The news 1-6" and "Sculpture Chair 1-5", 2022; Dorothee Haller, "Groundbreaker", 2017

"Please Hold", installation view

Kristian Suvatne Augland, "âšAdapter 1", 2022

Kristian Suvatne Auglandâš, "Spoon rack", 2022

âšMatilde Martinsâš, "Leben Mittel Punkt", 2022

"Please Hold", installation view
Asking someone to âholdâ is like answering a question with a question â a sort of, request-turned-bouncy-hypophora. The original asker is left holding something, but what? What is being held? The phonetic ties between the words âto waitâ and âweightâ seem to go beyond funny word-play. Be it standing in line or sitting in an upcycled armchair glancing over an old National Geographic, experiencing a waiting-space can reveal an atypical materiality of time. In a bureaucratic world of things being endlessly postponed, time is no longer something you sense but something you carry. Granted, waiting is mostly an experience in selfhood and not the same for everyone, which also means the presence of every âwaiterâ is not acknowledged equally. The works shown gather various readings of time and the environments designed to contain it, while trying âto queueâ the open-ended question: what are you waiting for?
Diogo Pinto